Introduction: Indigenous visualities
pt. 1. Indigenous film practices
Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja
Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne
Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst
Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli
Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey
Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper
pt. 2. Contemporary American Indian art
Indigenous semiotics and shared modernity / Dean Rader
Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin
Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler
Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.