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Table of Contents
Introduction. Native American literary outreach and the non-native reader
Following the tracks: history and context of native writing
Nothing but words: from confrontation to connection in N. Scott Momaday's House made of dawn
Revitalizing the original clan: participant readers in Leslie Marmon Silko's Ceremony
Individualism vs. separation: imagining the self to foster unity via Gerald Vizenor's Bearheart
Writing for connection: cross-cultural understanding in James Welch's historical fiction
The approximate size of his favorite humor: Sherman Alexie's comic connections and disconnections in The lone ranger and Tonto fistfight in heaven
Stitching the gap: believing vs. knowing in Linda Hogan's Power.
Following the tracks: history and context of native writing
Nothing but words: from confrontation to connection in N. Scott Momaday's House made of dawn
Revitalizing the original clan: participant readers in Leslie Marmon Silko's Ceremony
Individualism vs. separation: imagining the self to foster unity via Gerald Vizenor's Bearheart
Writing for connection: cross-cultural understanding in James Welch's historical fiction
The approximate size of his favorite humor: Sherman Alexie's comic connections and disconnections in The lone ranger and Tonto fistfight in heaven
Stitching the gap: believing vs. knowing in Linda Hogan's Power.