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Table of Contents
Introduction
Part I. The Social Construction of Space, Time and Cosmology: 1. Homer: the reciprocal chronotope; 2. Demeter Hymn: the aetiological chronotope; 3. From reciprocity to money
Part II. Dionysiac Festivals: 4. Royal household and public festival; 5. Aetiological chronotope and dramatic mimesis; 6. Monetisation and tragedy
Part III. Confrontational and Aetiological Space in Aeschylus: 7. Telos and the unlimitedness of money; 8. Suppliants; 9. Seven against Thebes; 10. Confrontational space in Oresteia; 11. The unlimited in Oresteia; 12. Persians
Part IV. The Unity of Opposites: 13. Form-parallelism and the unity of opposites; 14. Aeschylus and Herakleitos; 15. From the unity of opposites to their differentiation
Part V. Cosmology of the Integrated Polis: 16. Metaphysics and the polis in Pythagoreanism; 17. Pythagoreanism in Aeschylus; 18. Household, cosmos and polis; Appendix: was there a skēnē for all the extant plays of Aeschylus?.
Part I. The Social Construction of Space, Time and Cosmology: 1. Homer: the reciprocal chronotope; 2. Demeter Hymn: the aetiological chronotope; 3. From reciprocity to money
Part II. Dionysiac Festivals: 4. Royal household and public festival; 5. Aetiological chronotope and dramatic mimesis; 6. Monetisation and tragedy
Part III. Confrontational and Aetiological Space in Aeschylus: 7. Telos and the unlimitedness of money; 8. Suppliants; 9. Seven against Thebes; 10. Confrontational space in Oresteia; 11. The unlimited in Oresteia; 12. Persians
Part IV. The Unity of Opposites: 13. Form-parallelism and the unity of opposites; 14. Aeschylus and Herakleitos; 15. From the unity of opposites to their differentiation
Part V. Cosmology of the Integrated Polis: 16. Metaphysics and the polis in Pythagoreanism; 17. Pythagoreanism in Aeschylus; 18. Household, cosmos and polis; Appendix: was there a skēnē for all the extant plays of Aeschylus?.