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000448310 05000 $$aML1380$$b.P45 1994
000448310 08200 $$a786.7$$220
000448310 1001_ $$aPellman, Samuel,$$d1953-2017.
000448310 24513 $$aAn introduction to the creation of electroacoustic music /$$cSamuel Pellman.
000448310 260__ $$aBelmont, Calif. :$$bWadsworth Pub. Co.,$$cc1994.
000448310 300__ $$axv, 441 p :$$bill. ;$$c28 cm.
000448310 504__ $$aDiscography: p. 422-429.
000448310 504__ $$aIncludes bibliographical references and index.
000448310 5050_ $$aCh. 1. From Sound to Electricity, and Back -- Ch. 2. Music from Tape Recorders -- Ch. 3. Digital Recording -- Ch. 4. Multiple-Track Recording and Mixing -- Ch. 5. The Musical Instrument Digital Interface -- Ch. 6. Advanced MIDI Networks -- Ch. 7. Tone Colors -- Ch. 8. Analog Sound Synthesis -- Ch. 9. Digital Sound Sampling and Synthesis -- Ch. 10. Composing Electroacoustic Music -- Ch. 11. The Audience for Electroacoustic Music -- Ch. 12. Technology and Music: From the Past to the Future -- Appendix A: Hints for Microphone Placement in Common Recording and Sound-Reinforcement Situations -- Appendix B: Other Systems of Numbers -- Appendix C: Further Details of the Musical Instrument Digital Interface -- Appendix D: Suggested Listening -- Appendix E: The Interaction of Music and Technology: A Case Study.
000448310 650_0 $$aElectronic music$$xHistory and criticism.
000448310 650_0 $$aElectronic music$$xInstruction and study.
000448310 650_0 $$aMusic$$xAcoustics and physics.
000448310 85200 $$bgen$$hML1380$$i.P45$$i1994
000448310 909CO $$ooai:library.usi.edu:448310$$pGLOBAL_SET
000448310 980__ $$aBIB
000448310 980__ $$aBOOK