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Table of Contents
Ch. 1. From Sound to Electricity, and Back
Ch. 2. Music from Tape Recorders
Ch. 3. Digital Recording
Ch. 4. Multiple-Track Recording and Mixing
Ch. 5. The Musical Instrument Digital Interface
Ch. 6. Advanced MIDI Networks
Ch. 7. Tone Colors
Ch. 8. Analog Sound Synthesis
Ch. 9. Digital Sound Sampling and Synthesis
Ch. 10. Composing Electroacoustic Music
Ch. 11. The Audience for Electroacoustic Music
Ch. 12. Technology and Music: From the Past to the Future
Appendix A: Hints for Microphone Placement in Common Recording and Sound-Reinforcement Situations
Appendix B: Other Systems of Numbers
Appendix C: Further Details of the Musical Instrument Digital Interface
Appendix D: Suggested Listening
Appendix E: The Interaction of Music and Technology: A Case Study.
Ch. 2. Music from Tape Recorders
Ch. 3. Digital Recording
Ch. 4. Multiple-Track Recording and Mixing
Ch. 5. The Musical Instrument Digital Interface
Ch. 6. Advanced MIDI Networks
Ch. 7. Tone Colors
Ch. 8. Analog Sound Synthesis
Ch. 9. Digital Sound Sampling and Synthesis
Ch. 10. Composing Electroacoustic Music
Ch. 11. The Audience for Electroacoustic Music
Ch. 12. Technology and Music: From the Past to the Future
Appendix A: Hints for Microphone Placement in Common Recording and Sound-Reinforcement Situations
Appendix B: Other Systems of Numbers
Appendix C: Further Details of the Musical Instrument Digital Interface
Appendix D: Suggested Listening
Appendix E: The Interaction of Music and Technology: A Case Study.