Lecture 1: What was the Northern Renaissance?
Lecture 2: The Burgundian Netherlands
Lecture 3: Panel painters from c. 1400-c. 1435
Lecture 4: The Van Eycks and the Ghent Altarpiece
Lecture 5: Jan van Eyck's religious paintings
Lecture 6: Jan van Eyck's portraits
Lecture 7: Rogier: religious paintings
Lecture 8: Rogier: devotional paintings and portraits
Lecture 9: Petrus Christus: heir to Van Eyck and Rogier
Lecture 10: Hugo van der Goes
Lecture 11: Dieric Bouts and Geertgen tot Sint Jans
Lecture 12: Hans Memling
Lecture 13: Practices in the painter's workshop
Lecture 14: The Veronica master, Lochner, Schongauer
Lecture 15: 15th-century prints
Lecture 16: Albrecht Dürer's early career
Lecture 17: Albrecht Dürer's mature career
Lecture 18: Albrecht Dürer's later career
Lecture 19: Lucas Cranach as a painter
Lecture 20: Grünewald and Altdorfer
Lecture 21: 16th-century German woodcuts
Lecture 22: 16th-century intaglio prints
Lecture 23: Holbein the Younger in Switzerland
Lecture 24: Holbein the Younger in England, 1532-1543
Lecture 25: David and the Master of Mary of Burgundy
Lecture 26: Hieronymus Bosch
Lecture 27: Two Bosch triptychs
Lecture 28: Lucas van Leyden
Lecture 29: Patinir, Massys, and Van Cleve
Lecture 30: The rise of Antwerp
Lecture 31: Internationalism and northern artists
Lecture 32: Maarten van Heemskerck
Lecture 33: Pieter Bruegel
religious subjects
Lecture 34: Pieter Bruegel
folk culture and traditions
Lecture 35: Pieter Bruegel
the land and the peasant
Lecture 36: Iconoclasm, war, and signs of revival.