000449590 000__ 01596cam\a22003494a\4500 000449590 001__ 449590 000449590 005__ 20210513155136.0 000449590 006__ m\\\\\\\\d\\\\\\\\ 000449590 007__ cr\cn||||||||| 000449590 008__ 071116s2008\\\\nyua\\\\sbk\\\001\0\eng\\ 000449590 010__ $$z 2007047545 000449590 020__ $$z9780195333183 (alk. paper) 000449590 020__ $$z9780195333251 (alk. paper) 000449590 035__ $$a(CaPaEBR)ebr10254444 000449590 035__ $$a(OCoLC)646767093 000449590 040__ $$aCaPaEBR$$cCaPaEBR 000449590 043__ $$ae-uk--- 000449590 05014 $$aML3492$$b.T56 2008eb 000449590 08204 $$a781.640941/09046$$222 000449590 1001_ $$aThompson, Gordon,$$d1949- 000449590 24510 $$aPlease please me$$h[electronic resource] :$$bchange and sixties British pop /$$cGordon Thompson. 000449590 260__ $$aNew York :$$bOxford University Press,$$c2008. 000449590 300__ $$axii, 340 p. :$$bill. ;$$c24 cm. 000449590 504__ $$aIncludes bibliographical references (p. 307-314), discography (p. 281-305), and index. 000449590 5050_ $$aIntroduction. Approaches and material -- The velvet glove: the art of production -- A question of balance: engineering art -- Mediating change: setting musical directions -- The write stuff: songwriters -- Red-light fever: musicians -- Please please me. 000449590 506__ $$aAccess limited to authorized users. 000449590 650_0 $$aPopular music$$zGreat Britain$$y1961-1970$$xHistory and criticism. 000449590 650_0 $$aSound recording industry$$zGreat Britain$$xHistory$$y20th century. 000449590 655_7 $$aElectronic books.$$2lcsh 000449590 85280 $$bebk$$hEbrary Academic Complete 000449590 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10254444$$zOnline Access 000449590 909CO $$ooai:library.usi.edu:449590$$pGLOBAL_SET 000449590 980__ $$aEBOOK 000449590 980__ $$aBIB 000449590 982__ $$aEbook 000449590 983__ $$aOnline