Screens and veils [electronic resource] : Maghrebi women's cinema / Florence Martin.

Overture: Maghrebi women's transvergent cinema
Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
Coda.