000451786 000__ 01722cam\a2200289Ii\4500 000451786 001__ 451786 000451786 005__ 20210513155613.0 000451786 008__ 800513s1971\\\\nyua\\\\\b\\\\001\0\eng\d 000451786 010__ $$a 52005402 000451786 019__ $$a817950 000451786 035__ $$a(OCoLC)ocm06311534 000451786 035__ $$a451786 000451786 040__ $$aDCU$$cDCU$$dVPL$$dMUQ$$dOCLCQ$$dNLGGC$$dOCLCG$$dIAK$$dISE 000451786 043__ $$ae-ne--- 000451786 049__ $$aISEA 000451786 050_4 $$aND635$$b.P3 1971 000451786 08204 $$a759.92$$bP195e 000451786 1001_ $$aPanofsky, Erwin,$$d1892-1968. 000451786 24510 $$aEarly Netherlandish painting :$$bits origins and character /$$cby Erwin Panofsky. 000451786 260__ $$aNew York :$$bHarper & Row,$$c1971. 000451786 300__ $$a2 v. :$$bill. ;$$c24 cm. 000451786 440_0 $$aIcon editions ;$$vIn-2 000451786 500__ $$aReprint of the 1953 ed. published by Harvard University Press, which was issued as the Charles Eliot Norton lecture, 1947-1948. 000451786 504__ $$aIncludes bibliographical references (v. 1, p. [513]-535) and index. 000451786 5050_ $$av. 1. Text. Introduction: The polarization of European fifteenth-century painting in Italy and the Lowlands ; French and Franco-Flemish book illumination in the fourteenth century ; The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 ; The problem of Burgundy ; The regional schools of the Netherlands and their importance for the formation of the great masters ; Reality and symbol in early Flemish painting: "Spiritualia sub metaphoris corporalium" ; "Ars nova" ; The master of Flémalle ; Jan Van Eyck ; Hubert and/or Jan Van Eyck: the problems of the Ghent altarpiece and the Turin-Milan hours ; Roger Van Der Weyden ; Epilogue: The heritage of the founders -- v. 2. Plates. 000451786 650_0 $$aPainting$$zNetherlands$$xHistory. 000451786 650_0 $$aPainting, Dutch. 000451786 85201 $$bgen$$hND635$$i.P3$$i1971 000451786 86631 $$av.1-v.2 000451786 909CO $$ooai:library.usi.edu:451786$$pGLOBAL_SET 000451786 980__ $$aBIB 000451786 980__ $$aBOOK