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000451958 020__ $$a9780253000859 (electronic bk.)
000451958 020__ $$z9780253354617 (alk. paper)
000451958 020__ $$z0253354617 (alk. paper)
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000451958 035__ $$a(OCoLC)ocn747411089
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000451958 050_4 $$aML270.2$$b.G67 2011eb
000451958 08204 $$a782.4/3094409032$$222
000451958 1001_ $$aGordon-Seifert, Catherine Elizabeth.
000451958 24510 $$aMusic and the language of love$$h[electronic resource] :$$bseventeenth-century French airs /$$cCatherine Gordon-Seifert.
000451958 260__ $$aBloomington :$$bIndiana University Press,$$cc2011.
000451958 300__ $$a1 online resource (ix, 390 p.) :$$bill.
000451958 4901_ $$aMusic and the early modern imagination
000451958 4901_ $$aMusical meaning and interpretation
000451958 504__ $$aIncludes bibliographical references and index.
000451958 5050_ $$aMusic and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
000451958 506__ $$aAccess limited to authorized users.
000451958 588__ $$aDescription based on print version record.
000451958 650_0 $$aMusic$$zFrance$$y17th century$$xHistory and criticism.
000451958 650_0 $$aLove songs$$zFrance$$y17th century$$xHistory and criticism.
000451958 650_0 $$aLove in music.
000451958 655_7 $$aElectronic books.$$2lcsh
000451958 77608 $$iPrint version:$$aGordon-Seifert, Catherine Elizabeth.$$tMusic and the language of love.$$dBloomington : Indiana University Press, c2011$$w(DLC)  2010022316
000451958 830_0 $$aMusic and the early modern imagination.
000451958 830_0 $$aMusical meaning and interpretation.
000451958 85280 $$bebk$$hEbrary Academic Complete
000451958 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10481734$$zOnline Access
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000451958 980__ $$aEBOOK
000451958 980__ $$aBIB
000451958 982__ $$aEbook
000451958 983__ $$aOnline