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000453056 001__ 453056
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000453056 008__ 091119s2010\\\\caua\\\\\bc\\\001\0\eng\\
000453056 010__ $$a  2009045712
000453056 020__ $$a9781606060223
000453056 020__ $$a1606060228
000453056 035__ $$a(OCoLC)ocn456174095
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000453056 049__ $$aISEA
000453056 05000 $$aTR820.5$$b.A25 2010
000453056 08200 $$a779$$222
000453056 1001_ $$aAbbott, Brett,$$d1978-
000453056 24510 $$aEngaged observers :$$bdocumentary photography since the sixties /$$cBrett Abbott.
000453056 260__ $$aLos Angeles, CA :$$bJ. Paul Getty Museum,$$cc2010.
000453056 300__ $$aviii, 236 p. :$$bill. (some col.) ;$$c29 cm.
000453056 500__ $$a""This volume is published on the occasion of the exhibition Engaged Observers: Documentary Photography since the Sixties, on view at the J. Paul Getty Museum, Los Angeles, June 29-November 14, 2010"--T.p. verso."
000453056 504__ $$aIncludes bibliographical references and index.
000453056 5050_ $$aForeword / David Bomford -- Acknowledgments / Brett Abbott -- Engaged observers in context / Brett Abbott -- Photographers -- Black in white America / Leonard Freed -- Vietnam Inc / Philip Jones Griffiths -- Minamata / W Eugene and Aileen M Smith --Nicaragua, June 1978-July 1979 / Susan Meiselas -- Streetwise / Mary Ellen Mark -- Fast forward and girl culture / Lauren Greenfield -- Mennonites / Larry Towell -- Migrations / Sebastiao Salgado -- Sacrifice / James Nachtwey -- Plate list -- Illustration credits -- Index.
000453056 520__ $$aOverview:  In the decades following World War II, an independently minded, critically engaged form of photojournalism began to flourish.  It was not destined for the morning papers or exclusively for newsmagazines, and it did not attempt to be neutral.  This kind of photojournalism was self-assigned.  It declared its independence from the mainstream media's editorial control, and it was disseminated to the public through books, exhibitions, articles, and, more recently, the Web.  Engaged Observers focuses on nine photographers who have participated in the development of this documentary approach.  Surveyed are Leonard Freed (Black in White America), Philip Jones Griffiths (Vietnam Inc.), W. Eugene Smith (Minamata), Susan Meiselas (Nicaragua: June 1978-July 1979), Mary Ellen Mark (Streetwise), Larry Towell (The Mennonites), Sebastiao Salgado (Migrations), Lauren Greenfield (Girl Culture), and James Nachtwey ("The Sacrifice"). Each section opens with an introductory essay that sets the work in its evolving historical context.
000453056 650_0 $$aDocumentary photography$$vExhibitions.
000453056 7102_ $$aJ. Paul Getty Museum.
000453056 85200 $$bgen$$hTR820.5$$i.A25$$i2010
000453056 909CO $$ooai:library.usi.edu:453056$$pGLOBAL_SET
000453056 980__ $$aBIB
000453056 980__ $$aBOOK