000455584 000__ 02676cam\a2200337\a\4500 000455584 001__ 455584 000455584 005__ 20210513160508.0 000455584 008__ 120531s2013\\\\enka\\\\\b\\\\001\0\eng\\ 000455584 010__ $$a 2012020522 000455584 020__ $$a9780521766364 000455584 020__ $$a0521766362 000455584 020__ $$a9780521149839 (pbk.) 000455584 020__ $$a0521149835 (pbk.) 000455584 035__ $$a(OCoLC)ocn794624716 000455584 040__ $$aDLC$$beng$$cDLC$$dYDX$$dBTCTA$$dOCLCO$$dBDX$$dUKMGB$$dERASA$$dYDXCP$$dOCLCO$$dBWX 000455584 042__ $$apcc 000455584 049__ $$aISEA 000455584 05000 $$aPN2101$$b.C36 2013 000455584 08200 $$a792.09$$223 000455584 24504 $$aThe Cambridge companion to theatre history /$$cedited by David Wiles and Christine Dymkowski. 000455584 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2013. 000455584 300__ $$axv, 318 p. :$$bill. ;$$c24 cm. 000455584 4901_ $$aCambridge companions to literature 000455584 504__ $$aIncludes bibliographical references and index. 000455584 5058_ $$aMachine generated contents note: Introduction: why?; 1. Why theatre history? David Wiles; Part I. When?: Indicative Timeline: 2. Modernist theatre Stefan Hulfeld; 3. Baroque to romantic theatre Christopher Baugh; 4. Medieval, renaissance and early modern theatre David Wiles; 5. Classical theatre Erika Fischer-Lichte; Part II. Where?: 6. Liverpool Ros Merkin; 7. Finland S. E. Wilmer; 8. Egypt Hazem Azmy; 9. Traditional theatre: the case of Japanese Noh Diego Pellecchia; 10. Reflections on a global theatre history Marvin Carlson; Part III. What?: 11. The audience Willmar Sauter; 12. The art of acting Josette Fe;ral; 13. Music theatre and musical theatre Zachary Dunbar; 14. Circus Marius Kwint; Part IV. How?: 15. The nature of historical evidence: a case study Thomas Postlewait; 16. The visual record: the case of Hamlet Barbara Hodgdon; 17. Museums, archives and collecting Fiona Macintosh; 18. Re:enactment Gilli Bush-Bailey; 19. The internet: history 2.0? Jacky Bratton and Grant Tyler Peterson. 000455584 520__ $$a"Scholars, amateur historians and actors have shaped theatre history in different ways at different times and in different places. This Companion offers students and general readers a series of accessible and engaging essays on the key aspects of studying and writing theatre history. The diverse international team of contributors investigates how theatre history has been constructed, showing how historical facts are tied to political and artistic agendas and explaining why history matters to us"--$$cProvided by publisher. 000455584 650_0 $$aTheater$$xHistory. 000455584 7001_ $$aWiles, David. 000455584 7001_ $$aDymkowski, Christine,$$d1950- 000455584 830_0 $$aCambridge companions to literature. 000455584 85200 $$bgen$$hPN2101$$i.C36$$i2013 000455584 85642 $$3Cover image$$uhttp://assets.cambridge.org/97805217/66364/cover/9780521766364.jpg 000455584 909CO $$ooai:library.usi.edu:455584$$pGLOBAL_SET 000455584 980__ $$aBIB 000455584 980__ $$aBOOK