TY  - BOOK
N2  - "Byzantine imperial imagery is commonly perceived as a static system. In contrast to this common portrayal, this book draws attention to its openness and responsiveness to other artistic traditions. Through a close examination of significant objects and monuments created over a 350-year period, from the ninth to the thirteenth century, Alicia Walker shows how the visual articulation of Byzantine imperial power not only maintained a visual vocabulary inherited from Greco-Roman antiquity and the Judeo-Christian tradition, but also innovated on these artistic precedents by incorporating styles and forms from contemporary foreign cultures, specifically the Sasanian, Chinese, and Islamic worlds. In addition to art and architecture, this book explores historical accounts and literary works as well as records of ceremonial practices, thereby demonstrating how texts, ritual, and images operated as integrated agents of imperial power. Walker offers new ways to think about cross-cultural interaction in the Middle Ages and explores the diverse ways in which imperial images employed foreign elements in order to express particularly Byzantine meanings"--
AB  - "Byzantine imperial imagery is commonly perceived as a static system. In contrast to this common portrayal, this book draws attention to its openness and responsiveness to other artistic traditions. Through a close examination of significant objects and monuments created over a 350-year period, from the ninth to the thirteenth century, Alicia Walker shows how the visual articulation of Byzantine imperial power not only maintained a visual vocabulary inherited from Greco-Roman antiquity and the Judeo-Christian tradition, but also innovated on these artistic precedents by incorporating styles and forms from contemporary foreign cultures, specifically the Sasanian, Chinese, and Islamic worlds. In addition to art and architecture, this book explores historical accounts and literary works as well as records of ceremonial practices, thereby demonstrating how texts, ritual, and images operated as integrated agents of imperial power. Walker offers new ways to think about cross-cultural interaction in the Middle Ages and explores the diverse ways in which imperial images employed foreign elements in order to express particularly Byzantine meanings"--
T1  - The emperor and the world :exotic elements and the imaging of  Byzantine imperial power, ninth to thirteenth century CE /
DA  - 2012.
CY  - Cambridge ;
CY  - New York :
AU  - Walker, Alicia,
CN  - N8236.P695
CN  - N8236.P695
PB  - Cambridge University Press,
PP  - Cambridge ;
PP  - New York :
PY  - 2012.
ID  - 455781
KW  - Power (Social sciences) in art.
KW  - Emperors in art.
KW  - Art and society
KW  - Art, Byzantine.
SN  - 9781107004771
SN  - 1107004772
TI  - The emperor and the world :exotic elements and the imaging of  Byzantine imperial power, ninth to thirteenth century CE /
ER  -