000455791 000__ 03278cam\a2200313\a\4500 000455791 001__ 455791 000455791 005__ 20210513160601.0 000455791 008__ 100803s2012\\\\ilua\\\\\b\\\\001\0beng\c 000455791 010__ $$a 2010033062 000455791 019__ $$a785943980$$a798369067 000455791 020__ $$a9780226669113 (alk. paper) 000455791 020__ $$a0226669114 (alk. paper) 000455791 035__ $$a(OCoLC)ocn655303484 000455791 035__ $$a455791 000455791 040__ $$aICU/DLC$$beng$$cDLC$$dYDX$$dYDXCP$$dERASA$$dUKMGB$$dBDX$$dGZM$$dNYPIC$$dCOO$$dCDX$$dA7U$$dOCLCO$$dOCLCQ 000455791 042__ $$apcc 000455791 043__ $$ae-fr--- 000455791 049__ $$aISEA 000455791 05000 $$aTR140.D3$$bP56 2012 000455791 08200 $$a779.092$$222 000455791 1001_ $$aPinson, Stephen C. 000455791 24510 $$aSpeculating Daguerre :$$bart and enterprise in the work of L.J.M. Daguerre /$$cStephen C. Pinson. 000455791 260__ $$aChicago :$$bLondon :$$bUniversity of Chicago Press,$$c2012. 000455791 300__ $$aix, 313 p. :$$bill. (some col.) ;$$c29 cm. 000455791 504__ $$aIncludes bibliographical references (p. 285-302) and index. 000455791 5050_ $$aThe reign of speculation -- Operatic enterprises -- The panorama effect -- Lookers -- Optical naturalism -- Theatrical landscapes -- The museum as laboratory -- Nature's palette: fixed and modifiable views -- An artist's "fortune" -- 1814-1825 -- 1825-1830 -- 1830-1839 -- Speculating Daguerre -- Counterproof -- Permanence -- Monuments -- A catalogue of works attributed to Daguerre -- Works on paper -- Paintings -- Daguerreotypes -- Appendix 1: Daguerre's addresses in Paris -- Appendix 2: chronology -- Appendix 3: a primer on the early history of photography. 000455791 520__ $$aLouis Jacques Mandé Daguerre (1787-1851) was a true nineteenth-century visionary--a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In Speculating Daguerre, Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before. Drawing upon previously unpublished correspondence and unplumbed archival sources, Pinson mixes biography with an incisive study of Daguerre's wide-ranging involvement in visual culture. From his work as a commercial lithographer to his coinvention of the Paris Diorama--a theater in the round in which Daguerre employed natural light and special effects to simulate time and movement in large-scale paintings--here we are given access to Daguerre the artist, whose tireless experimentation, entrepreneurial spirit, and exceptional talent for popular spectacle helped to usher in a new visual age. Filled with more than one hundred illustrations and including the first complete catalogue of Daguerre's paintings, works on paper, and daguerreotypes to appear in print, the publication of Speculating Daguerre will be a much-heralded event for anyone with even a passing interest in one of the most fascinating characters in the history of photography. 000455791 60010 $$aDaguerre, Louis Jacques Mandé,$$d1787-1851. 000455791 650_0 $$aPhotography$$xHistory$$y19th century. 000455791 85200 $$bgen$$hTR140.D3$$iP56$$i2012 000455791 909CO $$ooai:library.usi.edu:455791$$pGLOBAL_SET 000455791 980__ $$aBIB 000455791 980__ $$aBOOK