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000455795 010__ $$a  2012930336
000455795 020__ $$a9780199642953
000455795 020__ $$a0199642958
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000455795 05000 $$aPQ2301$$b.G763 2012
000455795 08204 $$a440
000455795 08204 $$a848.7$$223
000455795 1001_ $$aGrossman, Kathryn M.
000455795 24514 $$aThe later novels of Victor Hugo :$$bvariations on the politics and poetics of transcendence /$$cKathryn M. Grossman.
000455795 250__ $$a1st ed.
000455795 260__ $$aOxford :$$bOxford University Press$$c2012.
000455795 300__ $$axii, 285 p. ;$$c23 cm.
000455795 504__ $$aIncludes bibliographical references (p. [265]-275) and index.
000455795 5050_ $$aFrom Han d'island to Les Misérables and beyond -- Monsters, marvels, and transport in Les travailleurs de la mer -- Dystopia and poetic vision in L'homme qui rit -- Romanticism and utopia: Quatrevingt-treize and endless revolution.
000455795 5208_ $$aThis study places the last three novels of Victor Hugo's maturity--"Les Travailleurs de la mer" (1866), "L'Homme qui rit" (1869), and "Quatrevingt-Treize" (1874)--within the context of his artistic development after the success of Les Misérables (1862). By situating these historical narratives in relation to each other, to all of Hugo's previous fiction, and to a number of poetic and critical works published in exile and in the initial years of the Third Republic, it illuminates the final structural and thematic shifts from a poetics of harmony to one of transcendence. As in Les Misérables, the disharmony associated with social tumult, apocalyptic vision, and oxymoronic tensions provides an essential component of the later Hugo's Romantic sublime.
000455795 60010 $$aHugo, Victor,$$d1802-1885$$xCriticism and interpretation.
000455795 85200 $$bgen$$hPQ2301$$i.G763$$i2012
000455795 909CO $$ooai:library.usi.edu:455795$$pGLOBAL_SET
000455795 980__ $$aBIB
000455795 980__ $$aBOOK