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000455798 010__ $$a  2011039507
000455798 020__ $$a9781609380793 (pbk : alk. paper)
000455798 020__ $$a1609380797 (pbk : alk. paper)
000455798 035__ $$a(OCoLC)ocn755641008
000455798 035__ $$a455798
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000455798 05000 $$aPS323.5$$b.S95 2012
000455798 08200 $$a811/.509$$223
000455798 1001_ $$aSwigg, Richard,$$d1938-
000455798 24510 $$aQuick, said the bird :$$bWilliams, Eliot, Moore, and the spoken word /$$cRichard Swigg.
000455798 260__ $$aIowa City :$$bUniversity of Iowa Press,$$cc2012.
000455798 300__ $$axxi, 157 p. ;$$c23 cm.
000455798 504__ $$aIncludes bibliographical references and index.
000455798 5050_ $$aVoices of a common ground -- To hew form truly -- Sounding The Waste Land -- Riding the flood -- The animal vernacular -- Quick, said the bird -- A way to the last leaftip -- Selected list of recorded readings by  Williams, Eliot, and Moore.
000455798 520__ $$aWhen William Carlos Williams said, "It's all in / the sound," when T. S. Eliot hailed the invigorating force of the "auditory imagination," or when Marianne Moore applauded "the clatter and true sound" of Williams's verse, each poet invoked the dimension that bound them together. In this volume the author makes the case for acoustics as the basis of the linkages, kinships, and inter-illuminations of a major twentieth-century literary relationship. Outsiders in their home terrain who nevertheless continued to reach back to their own American vocal identities, Williams, Eliot, and Moore embody a unique lineage that can be traced from their first significant works (1909-1918) to the 1960s.  In reconstructing the auditory dimension in the work of the three poets, this book does not neglect the visual text. Whether in the form of Moore's quirky patternings, Eliot's expandable verse-frames, or Williams's springy stanzas, the printed shape on the page is here brought together with the spoken word in vital interplay: the eye-read text cut against by sequential utterance in a restoration of the poetry's full effect. By seeing and hearing the verse at the same moment, together with reading side-by-side discussions of the quarrels, friendships, mutual borrowings, and shared energies of Williams, Eliot, and Moore, the reader gains a new understanding of their individual achievements. By sound and sight, this work takes the reader straight into the physical textures of the finest works by three outstanding figures of twentieth-century American poetry.
000455798 60010 $$aWilliams, William Carlos,$$d1883-1963$$xCriticism and interpretation.
000455798 60010 $$aEliot, T. S.$$q(Thomas Stearns),$$d1888-1965$$xCriticism and interpretation.
000455798 60010 $$aMoore, Marianne,$$d1887-1972$$xCriticism and interpretation.
000455798 650_0 $$aAmerican poetry$$y20th century$$xHistory and criticism.
000455798 650_0 $$aOral interpretation of poetry.
000455798 85200 $$bgen$$hPS323.5$$i.S95$$i2012
000455798 909CO $$ooai:library.usi.edu:455798$$pGLOBAL_SET
000455798 980__ $$aBIB
000455798 980__ $$aBOOK