Fortunes of The Merchant of Venice From 1596 to 2001 / John W. Mahon
Shakespeare's Merchant and Marlowe's Other Play / Murray J. Levith
Jewish Daughters: The Question of Philo-Semitism in Elizabethan Drama / Joan Ozark Holmer
Jessica / John Drakakis
Textual Deviancy in The Merchant of Venice / John F. Andrews
Portia and the Ovidian Grotesque / John W. Velz
Does Source Criticism Illuminate the Problems of Interpreting The Merchant as a Soured Comedy? / John K. Hale
Shylock is Content: A Study in Salvation / Hugh Short
Isolation to Communion: A Reading of The Merchant of Venice / Maryellen Keefe
Less Into the Greater: Emblem, Analogue, and Deification in The Merchant of Venice / John Cunningham and Stephen Slimp
"Nerissa Teaches Me What to Believe": Portia's Wifely Empowerment in The Merchant of Venice / Corinne S. Abate
"Mislike Me Not for My Complexion": Whose Mislike? Portia's? Shakespeare's? Or That of his Age? / R. W. Desai
Merchant of Venice and the Politics of Commerce / Karoline Szatek
Names in The Merchant of Venice / Grace Tiffany
Singing Chords: Performing Shylock and Other Characters in The Merchant of Venice / Jay L. Halio
Making The Merchant of Venice Palatable for U.S. Audiences / Gayle Gaskill
Shylock in Performance / John O'Connor
Portia Performs: Playing the Role in the Twentieth-Century English Theater / Penny Gay.