000456335 000__ 04293cam\a2200349\i\4500
000456335 001__ 456335
000456335 005__ 20210513160706.0
000456335 008__ 120322s2013\\\\coua\\\\\b\\\\001\0\eng\\
000456335 010__ $$a  2012012171
000456335 020__ $$a9780813347196 (pbk.)
000456335 020__ $$a081334719X (pbk.)
000456335 035__ $$a(OCoLC)ocn816550836
000456335 035__ $$a456335
000456335 040__ $$aDLC$$erda$$cPUL$$dAU@$$dOCLCO$$dISE
000456335 042__ $$apcc
000456335 049__ $$aISEA
000456335 05000 $$aBH39$$b.B616 2013
000456335 08200 $$a111/.85$$223
000456335 1001_ $$aBoersema, David.
000456335 24510 $$aPhilosophy of art :$$baesthetic theory and practice /$$cDavid Boersema, Pacific University.
000456335 260__ $$aBoulder, CO :$$bWestview Press,$$cc2013.
000456335 300__ $$axi, 360 pages :$$billustrations ;$$c23 cm
000456335 336__ $$atext$$2rdacontent
000456335 337__ $$aunmediated$$2rdamedia
000456335 338__ $$avolume$$2rdacarrier
000456335 504__ $$aIncludes bibliographical references and index.
000456335 5050_ $$ach.1 Introduction ot the Philosophy of Art -- What is philosophy? -- Philosophy of art and aesthetics -- Preview of upcoming chapters -- ch. 2 Naure of Art -- Defining art -- Antiessentilism -- Morris Weitz, "The Role of Theory in Aesthetics" -- Redfining art -- Jerrold Levinson, "Defining Art Historically" -- Art and experience --John Dewey, selectrions from Art as Experinece -- ch.3 Artwork -- Uniqueness of art --Joseph Margolis, "The Ontologival Peculiarity of Works of Art" -- Artworks and aesthetics -- Frank Sibley, "Aesthetic Concepts" -- Form versus contenet or context -- Clive Bell, "Art and significan tform" -- ch. 4 Artisit -- Intention -- Representation -- E. H. Gombrich, "Truth and the Stereotype" -- Expression -- R. G. Collingwood, selections from Principles of Art -- Change -- Anne Bogart, introduction to And Then, You Act -- ch. 5 Audience -- Daniel E. W. Fenner, "Aesthetic Expreience and Aesthetic Analysis" -- Asethetic interpretation --  Richard Wollheim, "Criticism as Retrieval" -- Aesthetic Criticism -- Monroe C. Beardsley, "The Classification of Critical Reasons" -- ch. 6 Relationships Between Art and Society: Ethics, Education, Culture -- Art and Values -- Berys Gaut, "The Ethical Criticism of Art" -- Aesthetics (and) Education -- Maxine Greene, "The Artistic-Aesthetic Curriculum" -- Aesthetics and Culture -- Clifford Geertz, "Art as a Cultural System" -- ch. 7 Relationships Between Art and Science: Method, Understanding, Knowledge -- Relations of Art and Science -- Howard Gardner, selections from The Arts and Human Development -- Art, Science, and Understanding -- Nelson Goodman, "Art and the Understanding" -- Art and Knowledge -- John W. Bender, "Art as a Source of Knowledge" -- ch. 8 Performing Arts -- Dance -- Francis Sparshott, "The Identity of a Dance" -- Theater -- David Z. Saltz, "How to Do Things on Stage" -- Music --
000456335 5050_ $$aContents note continued: Peter Kivy, "The Other Authenticity" -- ch. 9 Visual Arts -- Painting -- Clement Greenberg, "Modernist Painting" -- Photography -- Kendall L. Walton, "Transparent Pictures" -- Architecture -- Roger Scruton, "The Problem of Architecture" -- ch. 10 Literary Arts -- Fiction -- Christopher New, "Fiction" -- Poetry -- Harvey Gross, "Prosody as Rhythmic Cognition" -- Creative Nonfiction -- Robert L. Root Jr. and Michael Steinberg, "Creative Nonfiction, the Fourth Genre".
000456335 520__ $$a" With the sustained, coherent perspective of an authored text and the diverse, authoritative views typical of an anthology, Philosophy of Art: Aesthetic Theory and Practice by David Boersema provides the context and commentary students need to comprehend the various issues in philosophy of art. Throughout the book, issues are examined using the lenses of the three broad areas of philosophy: metaphysics, epistemology, and value theory. That is, concerns are raised about what is expressed, how it is expressed, and why it is expressed. Chapters on the artist, the audience, and the artwork further break down the discipline and are applied to the final chapters on the specific types of art. The differences between art and science as well as the relationship of art and society provide a refreshing discussion of overlooked areas in philosophy of art"--Cover.
000456335 5831_ $$acommited to retain$$c20150501$$dretention period not specified$$fALI SP$$5InES
000456335 650_0 $$aArts$$xPhilosophy.
000456335 650_0 $$aAesthetics.
000456335 85200 $$bgen$$hBH39$$i.B616$$i2013
000456335 909CO $$ooai:library.usi.edu:456335$$pGLOBAL_SET
000456335 980__ $$aBIB
000456335 980__ $$aBOOK