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000456629 010__ $$z  2012018845
000456629 020__ $$a9781139844949 (electronic bk.)
000456629 020__ $$z9781107020351
000456629 035__ $$a(OCoLC)ocn823739084
000456629 035__ $$a(CaPaEBR)ebr10629649
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000456629 043__ $$ae-uk-en
000456629 05014 $$aPR3095$$b.I28 2013eb
000456629 08204 $$a792.0942/09031$$223
000456629 1001_ $$aIchikawa, Mariko.
000456629 24514 $$aThe Shakespearean stage space$$h[electronic resource] /$$cMariko Ichikawa.
000456629 260__ $$aCambridge :$$bCambridge University Press,$$c2013.
000456629 300__ $$a1 online resource (xiii, 221 p.) :$$bill.
000456629 504__ $$aIncludes bibliographical references and index.
000456629 5050_ $$aPlayhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions.
000456629 506__ $$aAccess limited to authorized users.
000456629 520__ $$a"How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities"--$$cProvided by publisher.
000456629 588__ $$aDescription based on print version record.
000456629 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$yTo 1625.
000456629 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$zEngland$$zLondon.
000456629 650_0 $$aTheaters$$xStage-setting and scenery$$zEngland$$xHistory$$y16th century.
000456629 650_0 $$aTheaters$$xStage-setting and scenery$$zEngland$$xHistory$$y17th century.
000456629 650_0 $$aTheater$$zEngland$$zLondon$$xHistory$$y16th century.
000456629 650_0 $$aTheater$$zEngland$$zLondon$$xHistory$$y17th century.
000456629 650_0 $$aEnglish drama$$yEarly modern and Elizabethan, 1500-1600$$xHistory and criticism.
000456629 650_0 $$aEnglish drama$$y17th century$$xHistory and criticism.
000456629 655_7 $$aElectronic books.$$2lcsh
000456629 77608 $$iPrint version:$$aIchikawa, Mariko.$$tShakespearean stage space.$$dCambridge : Cambridge University Press, 2013$$z9781107020351$$z(DLC) 2012018845$$w(OCoLC)794556051
000456629 8520_ $$bacq
000456629 85280 $$bebk$$hEbrary
000456629 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1057513$$zOnline Access
000456629 909CO $$ooai:library.usi.edu:456629$$pGLOBAL_SET
000456629 980__ $$aEBOOK
000456629 980__ $$aBIB
000456629 982__ $$aEbook
000456629 983__ $$aOnline