000456953 000__ 03085cam\a2200433\a\4500 000456953 001__ 456953 000456953 005__ 20210513160821.0 000456953 006__ m\\\\\\\\d\\\\\\\\ 000456953 007__ cr\cn\nnnunnun 000456953 008__ 130429s2012\\\\miua\\\\ob\\\\001\0\eng\d 000456953 010__ $$z 2012025922 000456953 020__ $$a9780472028740 (electronic bk.) 000456953 020__ $$z9780472118540 000456953 035__ $$a(OCoLC)ocn820530657 000456953 035__ $$a(CaPaEBR)ebr10629481 000456953 035__ $$a456953 000456953 040__ $$aCaPaEBR$$cCaPaEBR 000456953 043__ $$an-us--- 000456953 05014 $$aML3917.U5$$bH57 2012eb 000456953 08204 $$a362.88/17$$223 000456953 1001_ $$aHirsch, Lily E.,$$d1979- 000456953 24510 $$aMusic in American crime prevention and punishment$$h[electronic resource] /$$cLily E. Hirsch. 000456953 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c2012. 000456953 300__ $$a1 online resource (vii, 212 p.) :$$bill. 000456953 504__ $$aIncludes bibliographical references and index. 000456953 5050_ $$aClassical music in crime prevention -- Sound for sound : a new approach to punishment in noise abatement -- Rap lyrics as evidence -- The music made me do it : obscenity and incitement in legal valuations of music -- Music in prison -- Music as torture -- Epilogue. 000456953 506__ $$aAccess limited to authorized users. 000456953 520__ $$aAlthough the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders' use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan. In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music? 000456953 588__ $$aDescription based on print version record. 000456953 650_0 $$aMusic and crime. 000456953 650_0 $$aMusic$$xSocial aspects$$zUnited States. 000456953 650_0 $$aMusic$$xPsychological aspects. 000456953 650_0 $$aPerforming arts$$xLaw and legislation$$zUnited States. 000456953 650_0 $$aCriminal justice, Administration of$$zUnited States. 000456953 655_0 $$aElectronic books. 000456953 77608 $$iPrint version:$$aHirsch, Lily E., 1979-$$tMusic in American crime prevention and punishment.$$dAnn Arbor : University of Michigan Press, c2012$$z9780472118540$$w(DLC) 2012025922$$w(OCoLC)793221900 000456953 8520_ $$bacq 000456953 85280 $$bebk$$hEbrary 000456953 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3415107$$zOnline Access 000456953 909CO $$ooai:library.usi.edu:456953$$pGLOBAL_SET 000456953 980__ $$aEBOOK 000456953 980__ $$aBIB 000456953 982__ $$aEbook 000456953 983__ $$aOnline