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000457354 010__ $$z  2007011368
000457354 020__ $$z9780195148886 (alk. paper)
000457354 020__ $$z0195148886 (alk. paper)
000457354 035__ $$a(CaPaEBR)ebr10288320
000457354 035__ $$a(OCoLC)646809720
000457354 040__ $$aCaPaEBR$$cCaPaEBR
000457354 05014 $$aML174$$b.A85 2009eb
000457354 08204 $$a781.2/63$$222
000457354 1001_ $$aAtkinson, Charles M.$$q(Charles Mercer),$$d1941-
000457354 24514 $$aThe critical nexus$$h[electronic resource] :$$btone-system, mode, and notation in early medieval music /$$cCharles M. Atkinson.
000457354 260__ $$aOxford ;$$aNew York :$$bOxford University Press,$$c2009.
000457354 300__ $$axiii, 306 p. :$$bill., music.
000457354 4901_ $$aAMS studies in music
000457354 504__ $$aIncludes bibliographical references (p. 259-291) and indexes.
000457354 5050_ $$aThe heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.
000457354 506__ $$aAccess limited to authorized users.
000457354 650_0 $$aMusic theory$$xHistory$$y500-1400.
000457354 650_0 $$aMusic theory$$xHistory$$yTo 500$$xInfluence.
000457354 655_7 $$aElectronic books.$$2lcsh
000457354 830_0 $$aAMS studies in music.
000457354 852__ $$bebk
000457354 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10288320$$zOnline Access
000457354 909CO $$ooai:library.usi.edu:457354$$pGLOBAL_SET
000457354 980__ $$aEBOOK
000457354 980__ $$aBIB
000457354 982__ $$aEbook
000457354 983__ $$aOnline