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Early New Zealand films and western voy(ag)eurs
1940-1990 : New Zealand film landscapes for prospective 'cinenauts'
The legacy of The piano : film-tourist geographies and the aesthetic of the sublime
From Ngati to Whale rider : the filmic journey of the indigenous traveller
From Mt. Fuji to Mt. Taranaki : D'paysement and celebrity worship in The last samurai
'Welcome to New Zealand, home of middle earth' : heterotopian impulse, western anxiety and spatial identity in The lord of the rings
Conclusions.

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