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000458434 010__ $$z2011024709
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000458434 020__ $$z9780674062894$$qelectronic book
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000458434 037__ $$a10.4159/harvard.9780674062894$$bDOI
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000458434 08204 $$a947/.310842$$223
000458434 1001_ $$aClark, Katerina.
000458434 24510 $$aMoscow, the fourth Rome$$h[electronic resource] :$$bStalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941 /$$cKaterina Clark.
000458434 260__ $$aCambridge, Mass. :$$bHarvard University Press,$$c2011.
000458434 300__ $$a1 online resource (viii, 420 p.) :$$bill.
000458434 504__ $$aIncludes bibliographical references and index.
000458434 5050_ $$aThe author as producer: cultural revolution in Berlin and Moscow (1930-1931) -- Moscow, the lettered city -- The return of the aesthetic -- The traveling mode and the horizon of identity -- "World literature"/"World culture" and the era of the popular front (c. 1935-1936) -- Face and mask: theatricality and identity in the era of the show trials (1936-1938) -- Love and death in the time of the Spanish Civil War (1936-1939) -- The Imperial sublime -- The battle of the genres (1937-1941).
000458434 506__ $$aAccess limited to authorized users.
000458434 520__ $$a"In the early sixteenth century, the monk Filofei proclaimed Moscow the 'Third Rome.' By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today--transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome broadens the framework that has traditionally constrained cultural histories of Stalinist Russia to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin."--book jacket.
000458434 588__ $$aDescription based on print version record.
000458434 60010 $$aStalin, Joseph,$$d1878-1953$$xInfluence.
000458434 650_0 $$aCosmopolitanism$$zRussia (Federation)$$zMoscow$$xHistory.
000458434 650_0 $$aPopular culture$$zRussia (Federation)$$zMoscow$$xHistory.
000458434 650_0 $$aCommunism$$zRussia (Federation)$$zMoscow$$xHistory.
000458434 650_0 $$aSocial change$$zRussia (Federation)$$zMoscow$$xHistory.
000458434 650_0 $$aSocial change$$zSoviet Union$$xHistory.
000458434 651_0 $$aMoscow (Russia)$$xHistory$$y20th century.
000458434 651_0 $$aMoscow (Russia)$$xIntellectual life$$y20th century.
000458434 651_0 $$aSoviet Union$$xHistory$$y1925-1953.
000458434 651_0 $$aSoviet Union$$xIntellectual life$$y1917-1970.
000458434 77608 $$iPrint version:$$aClark, Katerina.$$tMoscow, the fourth Rome.$$dCambridge, Mass. : Harvard University Press, c2011$$z9780674057876$$w(DLC) 2011024709$$w(OCoLC)709670292
000458434 85280 $$bebk$$hHarvard University Press
000458434 85640 $$3Harvard University Press$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.4159/harvard.9780674062894$$zOnline Access
000458434 909CO $$ooai:library.usi.edu:458434$$pGLOBAL_SET
000458434 980__ $$aEBOOK
000458434 980__ $$aBIB
000458434 982__ $$aEbook
000458434 983__ $$aOnline