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Introduction / Bill Nichols
Setting the Scene. Péter Forgács: an interview / Scott MacDonald
The memory of loss: Péter Forgács' Saga of family life and social hell / Péter Forgacs and Bill Nichols, in dialogue
The Holocaust Films. Toward a new historiography: the aesthetics of temporality / Ernst van Alphen
Ordinary film: The maelstrom / Michael S. Roth
Historical discourses of the unimaginable: The maelstrom / Michael Renov
Waiting, hoping, among the Ruins of All the Rest / Kaja Silverman
The trace: framing the presence of the past in Free fall / Malin Wahlberg
Other films/other contexts. How to make history perceptible: The Bartos family and the private Hungary series / Roger Odin
Found images as witness to Central European history: a Bibø reader and Miss Universe 1929 / Catherine Portuges
Reenvisioning the documentary fact: on saying and showing in Wittgenstein Tractatus and bourgeois dictionaries / Tyrus Miller
The world rewound: Wittgenstein Tractatus / Whitney Davis
Taking the part for the whole: some thoughts inspired by the film music of Tibor Szemzø / Tamøs Korønyi
Analytical spaces: the installations of Péter Forgács / Laszlo F. Føldønyi
Reorchestrating history: transforming The Danube exodus into a database documentary / Marsha Kinder.

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