000459676 000__ 03639cam\a2200397Ia\4500 000459676 001__ 459676 000459676 005__ 20210513161431.0 000459676 006__ m\\\\\o\\d\\\\\\\\ 000459676 007__ cr\cn\nnnunnun 000459676 008__ 111103r20122011maua\\\\ob\\\\001\0beng\d 000459676 010__ $$z 2011045675 000459676 020__ $$a9780674065567$$qelectronic book 000459676 020__ $$z9780674065796 000459676 035__ $$a(OCoLC)ocn797813977 000459676 035__ $$a(CaPaEBR)ebr10568018 000459676 037__ $$a10.4159/harvard.9780674065567$$bDOI 000459676 040__ $$aCaPaEBR$$cCaPaEBR 000459676 05014 $$aND497.B8$$bM33 2012eb 000459676 08204 $$a759.2$$aB$$223 000459676 1001_ $$aMacCarthy, Fiona. 000459676 24514 $$aThe last Pre-Raphaelite$$h[electronic resource] :$$bEdward Burne-Jones and the Victorian imagination /$$cFiona MacCarthy. 000459676 260__ $$aCambridge, MA :$$bHarvard University Press,$$c2012, c2011. 000459676 300__ $$a1 online resource (xiii, 629 p.) :$$bill. 000459676 500__ $$a"First published in 2011 by Faber and Faber, Ltd. 000459676 504__ $$aIncludes bibliographical references and index. 000459676 5050_ $$aBirmingham 1833-52 -- Oxford 1853-5 -- Northern France 1855 -- Early London 1856-7 -- Little Holland House 1858 -- First Italian Journey 1859 -- Russell Place 1860-2 -- Second Italian Journey 1862 -- Great Russell Street 1862-4 -- Kensington Square 1865-7 -- The Grange, One 1868-71 -- Third Italian Journey 1871 -- The Grange, Two 1872 -- Fourth Italian Journey 1873 -- The Grange, Three 1874-6 -- The Grosvenor Gallery 1877-80 -- Rottingdean, one 1881-2 -- The Grange, four 1883 -- The Grange, five 1884 -- Rome 1885 -- The Royal Academy 1885-7 -- Rottingdean, two 1888-9 -- Mells 1890-3 -- Kelmscott, one 1894-5 -- Kelmscott, two 1895-6 -- Avalon 1897-8 -- Memorials 1898-1916. 000459676 506__ $$aAccess limited to authorized users. 000459676 520__ $$aFrom the prize-winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. 000459676 588__ $$aDescription based on print version record. 000459676 60010 $$aBurne-Jones, Edward Coley,$$d1833-1898. 000459676 650_0 $$aPre-Raphaelites$$zGreat Britain$$vBiography. 000459676 77608 $$iPrint version:$$aMacCarthy, Fiona.$$tLast Pre-Raphaelite.$$dCambridge, MA : Harvard University Press, 2012$$z9780674065796$$w(DLC) 2011045675$$w(OCoLC) 758383305 000459676 85280 $$bebk$$hEbrary Academic Complete 000459676 85280 $$bebk$$hHarvard University Press 000459676 85640 $$3ebrary Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10568018$$zOnline Access 000459676 85640 $$3Harvard University Press$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.4159/harvard.9780674065567$$zOnline Access 000459676 909CO $$ooai:library.usi.edu:459676$$pGLOBAL_SET 000459676 980__ $$aEBOOK$$aEBOOK 000459676 980__ $$aBIB 000459676 982__ $$aEbook 000459676 983__ $$aOnline