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000461277 008__ 100427s2009\\\\enka\\\\sbq\\\001\0deng\d
000461277 010__ $$z  2010278461
000461277 020__ $$z0719073642
000461277 020__ $$z9780719073649
000461277 020__ $$z9781847792860 (e-book)
000461277 035__ $$a(CaPaEBR)ebr10623375
000461277 035__ $$a(OCoLC)808600367
000461277 040__ $$aCaPaEBR$$cCaPaEBR
000461277 043__ $$ae-sp---
000461277 05014 $$aPN1998.3.C3496$$bD38 2009eb
000461277 1001_ $$aDavies, Ann,$$d1961-
000461277 24510 $$aDaniel Calparsoro$$h[electronic resource] /$$cAnn Davies.
000461277 260__ $$aManchester, U.K. ;$$aNew York :$$bManchester University Press ;$$aNew York :$$bDistributed in the United States exclusively by Palgrave,$$c2009.
000461277 300__ $$a200 p. :$$bill.
000461277 440_0 $$aSpanish and Latin American filmmakers
000461277 504__ $$aIncludes filmography (p. [187]-191), bibliographical references (p. [192]-197) and index.
000461277 5050_ $$aPt. I. The context. Introduction -- Najwa Nimri: the interaction of director and star -- pt. II. The films. Salto al vacío: opening up the void -- Pasajes: pathways through nowhere -- A ciegas: the blind side of Basque terrorism -- Asfalto: violence à trois -- Guerreros: Spanish alienation in a foreign landscape -- Ausentes: shining a light on horror -- Conclusion.
000461277 506__ $$aAccess limited to authorized users.
000461277 60010 $$aCalparsoro, Daniel,$$d1968-$$xCriticism and interpretation.
000461277 650_0 $$aMotion picture producers and directors$$zSpain.
000461277 655_7 $$aElectronic books.$$2lcsh
000461277 852__ $$bebk
000461277 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10623375$$zOnline Access
000461277 909CO $$ooai:library.usi.edu:461277$$pGLOBAL_SET
000461277 980__ $$aEBOOK
000461277 980__ $$aBIB
000461277 982__ $$aEbook
000461277 983__ $$aOnline