000046297 000__ 01142cam\a2200325W\\4500 000046297 001__ 46297 000046297 005__ 20210513013206.0 000046297 008__ 720925s1972\\\\ilu\\\\\\b\\\\00100\eng\\ 000046297 010__ $$a72-188699 000046297 020__ $$a0809305798 000046297 020__ $$c 5.95 000046297 035__ $$a(OCoLC)ocm00482888 000046297 035__ $$a00050492 000046297 035__ $$9AAE7734SI 000046297 035__ $$a46297 000046297 040__ $$aDLC$$cDLC$$dm.c.$$dISE 000046297 043__ $$ae-uk--- 000046297 049__ $$aISEA 000046297 0500_ $$aPR731$$b.R65 000046297 082__ $$a822/.8/09 000046297 099__ $$aPR731 .R65 000046297 1001_ $$aRoy, Emil. 000046297 24510 $$aBritish drama since Shaw.$$cWith a pref. by Harry T. Moore. 000046297 260__ $$aCarbondale,$$bSouthern Illinois University Press$$c[1972] 000046297 300__ $$axiii, 143 p.$$c22 cm. 000046297 4900_ $$aCrosscurrents: modern critiques 000046297 5050_ $$aBernard Shaw.--Oscar Wilde.--W. B. Yeats.--J. M. Synge.--Sean O'Casey.--T. S. Eliot and Christopher Fry.--The moderns: Osborne, Arden, Pinter, Wesker, and Whiting.--Bibliography (p. 137) 000046297 650_0 $$aEnglish drama$$y19th century$$xHistory and criticism. 000046297 650_0 $$aEnglish drama$$y20th century$$xHistory and criticism. 000046297 85200 $$bgen$$hPR731 .R65 000046297 909CO $$ooai:library.usi.edu:46297$$pGLOBAL_SET 000046297 966__ $$c 1$$lUSIGEN$$mBKGEN$$sPR731 .R65$$xISEA$$z050$$b39203009163630 000046297 980__ $$aBIB 000046297 980__ $$aBOOK