000463236 000__ 03196cam\a2200433Ia\4500 000463236 001__ 463236 000463236 005__ 20210513162212.0 000463236 006__ m\\\\\\\\d\\\\\\\\ 000463236 007__ cr\cn\nnnunnun 000463236 008__ 130514s2012\\\\nyua\\\\ob\\\\001\0\eng\d 000463236 010__ $$z 2012011554 000463236 020__ $$a9781137006509 (electronic bk.) 000463236 020__ $$z1137001062 000463236 020__ $$z9781137001061 000463236 035__ $$a(OCoLC)ocn812516100 000463236 035__ $$a(CaPaEBR)ebr10611403 000463236 035__ $$a463236 000463236 040__ $$aCaPaEBR$$cCaPaEBR 000463236 05014 $$aPR3095$$b.L56 2012eb 000463236 1001_ $$aLin, Erika T.,$$d1972- 000463236 24510 $$aShakespeare and the materiality of performance$$h[electronic resource] /$$cErika T. Lin. 000463236 260__ $$aNew York :$$bPalgrave Macmillan,$$c2012. 000463236 300__ $$a1 online resource (xiii, 238 p.) :$$bill. 000463236 504__ $$aIncludes bibliographical references and index. 000463236 5050_ $$aPerformance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus. 000463236 506__ $$aAccess limited to authorized users. 000463236 520__ $$aMany unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices. 000463236 588__ $$aDescription based on print version record. 000463236 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$yTo 1625. 000463236 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$zEngland$$zLondon. 000463236 650_0 $$aTheater audiences$$zEngland$$zLondon$$xHistory$$y16th century. 000463236 650_0 $$aTheater audiences$$zEngland$$zLondon$$xHistory$$y17th century. 000463236 650_0 $$aTheater and society$$zEngland$$xHistory$$y16th century. 000463236 650_0 $$aTheater and society$$zEngland$$xHistory$$y17th century. 000463236 655_0 $$aElectronic books. 000463236 77608 $$iPrint version:$$aLin, Erika T., 1972-$$tShakespeare and the materiality of performance.$$dNew York, NY : Palgrave Macmillan, 2012$$z9781137001061$$w(DLC) 2012011554$$w(OCoLC)784447335 000463236 8520_ $$bacq 000463236 85280 $$bebk$$hEbrary 000463236 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1039456$$zOnline Access 000463236 909CO $$ooai:library.usi.edu:463236$$pGLOBAL_SET 000463236 980__ $$aEBOOK 000463236 980__ $$aBIB 000463236 982__ $$aEbook 000463236 983__ $$aOnline