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Brown, J. R. The presentation of comedy: the first ten plays.
Ewbank, I. "Were man but constant, he were perfect": constancy and consistency in The Two gentlemen of Verona.
Wells, S. Shakespeare without sources.
Hunt, J. D. Grace, art, and the neglect of time in Love's labour's lost.
Palmer, D. J. The Merchant of Venice; or, The Importance of being earnest.
Foakes, R. A. The owl and the cuckoo: voices of maturity in Shakespeare's comedies.
Evans, G. L. Shakespeare's fools: the shadow and the substance of drama.
Barton, A. As you like it and Twelfth night: Shakespeare's sense of an ending.
Powell, J. Theatrical trompe l'oeil in Measure for measure.
Nuttall, A. D. Two unassimilable men.
Bibliography (p. 241-243)
Ewbank, I. "Were man but constant, he were perfect": constancy and consistency in The Two gentlemen of Verona.
Wells, S. Shakespeare without sources.
Hunt, J. D. Grace, art, and the neglect of time in Love's labour's lost.
Palmer, D. J. The Merchant of Venice; or, The Importance of being earnest.
Foakes, R. A. The owl and the cuckoo: voices of maturity in Shakespeare's comedies.
Evans, G. L. Shakespeare's fools: the shadow and the substance of drama.
Barton, A. As you like it and Twelfth night: Shakespeare's sense of an ending.
Powell, J. Theatrical trompe l'oeil in Measure for measure.
Nuttall, A. D. Two unassimilable men.
Bibliography (p. 241-243)