Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942)
Hollywood's terror films (1946)
Jean Vigo (1947)
The revolt against rationality (1947)
Jewish culture (1947)
Filming the subconscious (1948)
Psychiatry for everything and everybody (1948)
Those movies with a message (1948)
National types as Hollywood presents them (1949)
The mirror up to nature (1949)
Preston Sturges, or laughter betrayed (1950)
Art today (1961)
About the state of the humanities
A statement on the humanistic approach
Talk with Teddie (1960)
A critic at large I: film reviews. An American experiment (1941)
Dumbo (1941)
Film notes from Hollywood (1941)
A few American films (1941)
William Wyler's new Bette Davis film (1941)
Flaherty, the land (1942)
For whom the bell tolls (1943)
Pais? (1948)
The decent German (1949)
The eternal Jew (1956)
A few notes on The connection (1961)
A critic at large II: book reviews. In Eisenstein's workshop (1943)
The Russian director (1949)
The movie colony (1942)
A lady of valor (1947)
The Teutonic mind (1948)
Consciousness, free and spontaneous (1948)
Indologian holiday (1948)
Portrait in film (1948)
Total teaching
Pictorial deluge (1950)
Movie mirror (1950)
Reflexion faite (1952)
Toward a theory of film. Stage vs. screen acting (1950)
The photographic approach (1951)
Silent film comedy (1951)
The found story and the episode (1956)
Letter to film 56 (1956)
Afterword: Kracauer, the magical nominalist / Martin Jay.