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Introduction: the red mask of sanity
Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
Discordant tones and the melody of freedom at Peekskill
Anticommunism and the American lynching imagination
Shedding blood and beating back fascists
Staging anticommunism, staging racist violence
Coda: the complex and the rupture.

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