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000464951 010__ $$z  2009033201
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000464951 035__ $$a(CaPaEBR)ebr10575750
000464951 035__ $$a(OCoLC)802057628
000464951 040__ $$aCaPaEBR$$cCaPaEBR
000464951 05014 $$aPN2193.E86$$bH37 2012eb
000464951 1001_ $$aHarding, James Martin,$$d1958-
000464951 24510 $$aCutting performances$$h[electronic resource] :$$bcollage events, feminist artists, and the American avant-garde /$$cJames M. Harding.
000464951 250__ $$a1st pbk. ed.
000464951 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c2012.
000464951 300__ $$aix, 222 p.
000464951 4901_ $$aTheater--theory/text/performance
000464951 504__ $$aIncludes bibliographical references and index.
000464951 506__ $$aAccess limited to authorized users.
000464951 650_0 $$aExperimental theater.
000464951 650_0 $$aFeminist theater.
000464951 655_7 $$aElectronic books.$$2lcsh
000464951 830_0 $$aTheater--theory/text/performance.
000464951 852__ $$bebk
000464951 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10575750$$zOnline Access
000464951 909CO $$ooai:library.usi.edu:464951$$pGLOBAL_SET
000464951 980__ $$aEBOOK
000464951 980__ $$aBIB
000464951 982__ $$aEbook
000464951 983__ $$aOnline