000464952 000__ 01534cam\a2200421Ia\4500 000464952 001__ 464952 000464952 005__ 20210513162552.0 000464952 006__ m\\\\\\\\d\\\\\\\\ 000464952 007__ cr\cn||||||||| 000464952 008__ 100629s2012\\\\miu\\\\\ob\\\s001\0\eng\d 000464952 010__ $$z 2010024619 000464952 020__ $$z047211736X 000464952 020__ $$z9780472027941 000464952 020__ $$z9780472035151 000464952 020__ $$z9780472117369 000464952 035__ $$a(CaPaEBR)ebr10575751 000464952 035__ $$a(OCoLC)802057630 000464952 040__ $$aCaPaEBR$$cCaPaEBR 000464952 05014 $$aPQ2601.R677$$bZ685 2012eb 000464952 08204 $$a848/.91209$$222 000464952 1001_ $$aJannarone, Kimberly. 000464952 24510 $$aArtaud and his doubles$$h[electronic resource] /$$cKimberly Jannarone. 000464952 250__ $$a1st pbk. ed. 000464952 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c2012. 000464952 300__ $$axiv, 253 p. 000464952 4901_ $$aTheater--theory/text/performance 000464952 504__ $$aIncludes bibliographical references and index. 000464952 506__ $$aAccess limited to authorized users. 000464952 60010 $$aArtaud, Antonin,$$d1896-1948$$xCriticism and interpretation. 000464952 60010 $$aArtaud, Antonin,$$d1896-1948$$xKnowledge$$xPerforming arts. 000464952 650_0 $$aExperimental theater$$zFrance$$xHistory$$y20th century. 000464952 650_0 $$aDrama$$xHistory and criticism$$xTheory, etc. 000464952 650_0 $$aCruelty in literature. 000464952 655_7 $$aElectronic books.$$2lcsh 000464952 830_0 $$aTheater--theory/text/performance. 000464952 852__ $$bebk 000464952 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10575751$$zOnline Access 000464952 909CO $$ooai:library.usi.edu:464952$$pGLOBAL_SET 000464952 980__ $$aEBOOK 000464952 980__ $$aBIB 000464952 982__ $$aEbook 000464952 983__ $$aOnline