Ambrosian psalmellus for Quadragesima: redde mihi
Gallican Improperia for Good Friday : Popule meus
Mozarabic antiphon for Easter: gaudete populi
Gregorian hymn for Whitsunday: Veni Creator spiritus
Liturgical drama: Infantum vidimus (11th-12th century)
Troubadour canso: Be m'an perdut / Bernart de Ventadorn (d. 1195)
Cantiga; Gran dereit' / Alfonso El Sabio (1221-1284)
Lauda: Ogne homo (13th-14th century)
Organum duplum: Viderunt omnes / Leonin (12th century)
Motet: Ave gloriosa mater-Ave Virgo-Domino (13th century)
Instrumental motet (Hocket): In seculum longum (13th century)
Vocal motet: Je n'amerai autre-In seculum (13th century)
Agnus Dei from the Mass of Tournai (14th century)
Polyphonic trope: Kyrie Jhesu dulcissime / Fronciaco (14th century)
Organ paraphrase of a Kyrie (14th century)
Caccia: Con brachi assai / Giovanni da Firenze (14th century)
Ballade: Notes pour moi / Anthonello de Caserta (14th century)
Isorhythmic motet: Veni sancte spiritus / John Dunstable (d.1453)
Villancico: Soy contento y vos servido / Juan del Encina (ca. 1468-ca. 1530)
Frottola: O mia cieca e dura sorte / Marchetto Cara ( d. ca. 1530)
Lute transcription: O mia cieca e dura sorte / Vincenzo Capirola (16th century)
Meistersinger melody: Gesangweise / Hans Sachs (1494-1576)
Magnificat octavi toni / Cristobal Morales (ca. 1500-1553)
Chorale: Komm, Gott Schöpfer, heilige Geist / Johann Walter ( 1496-1570)
Palm setting, French Psalter of 1564: Mon Dieu me paist / Claude Goudimel (d. 1572)
Palm setting, French Psalter of 1565: Mon Dieu me paist / Claude Goudimel (d. 1572)
Anthem: Heare the voyce and prayer of thy servaunts / Thomas Tallis ( ca. 1505-1585)
Polychoral motet: Laudate Dominum . Hans Leo Hassler (1564-1612)
Organ toccata: Toccata Quinta, Secondo Tuono / Claudio Merulo ( 1533-1604)
Pavan for the virginal / John Bull (1563-1628)
Quodlibet: Fricassée (16th century)
Lied: Oho, so geb' der Mann ein'n Pfenning / Ludwig Senfl ( ca. 1490-ca. 1556)
Madrigal: Moro lasso / Carlo Gesualso ( ca. 1560-1613)
Lute ayre: My thoughts are wing'd with hope / John Dowland (1563-1626)
Intrumental dance: Passomezzo d'Italie (16th century)
Viol consort: In Nomine / Orlando Gibbons (1583-1625)
Oratorio scene: Rappresentatione di Anime e di Corpo / Emilio de' Cavalieri (ca. 1550-1602)
Chorale concerto: Erschienen ist der herrliche Tag / Johann Hermann Schein ( 1586-1630)
Lute piece: Tombeau de Madelmoiselle Gaultier / Denis Gaultier (ca. 1603-1672)
Harpsichord piece: Capriccio über dass Hennengeschrey / Alessandro Poglietti ( d. 1683)
Organ chorale prelude: Komm, der heiden Heiland / Dietrich Buxtehude ( 1637-1707)
Oratorio scene: Le reniement de St.-Pierre / Marc-Antoine Charpentier ( 1634-1704)
Anglican canticle: Jubilate Deo / John Blow ( ca. 1648-1708)
Sinfonia to the opera: La Caduta de decem viri / Alessandro Scarlatti ( 1659-1725)
Chaconne from the opera-ballet: Les Fêtes Vénitiennes / André Campra (1660-1744)
Opera seria: Aria from Croesus: Hoffe noch / Reinhard Keiser (1674-1739)
Concerto: La primavera (Allegro) / Antonio Vivaldi ( ca. 1678-1741)
Fantasie for violin solo / Georg Philipp Telemann (1681-1767)
Cantata da camera: recitative and aria from Stravaganze d'Amore: Amor tu sei / Benedetto Marcello (1686-1739)
Opera buffo: Recitative and aria from Livietta e tracollo: Misero / Giovanni Battista Pergolesi (1710-1736).