000468783 000__ 02813cam\a2200457\a\4500 000468783 001__ 468783 000468783 005__ 20210513163424.0 000468783 006__ m\\\\\o\\d\\\\\\\\ 000468783 007__ cr\cn||||||||| 000468783 008__ 110308s2011\\\\vau\\\\\ob\\\\001\0\eng\d 000468783 010__ $$z 2011008422 000468783 020__ $$z9780813931616 (cloth acid-free paper) 000468783 020__ $$z0813931614 (cloth acid-free paper) 000468783 020__ $$z9780813931623 (pbk. acid-free paper) 000468783 020__ $$z0813931622 (pbk. acid-free paper) 000468783 020__ $$z9780813931661 (e-book) 000468783 035__ $$a(CaPaEBR)ebr10554873 000468783 035__ $$a(OCoLC)785928180 000468783 040__ $$aCaPaEBR$$cCaPaEBR 000468783 043__ $$an-us--- 000468783 05014 $$aPS374.P64$$bG7 2011eb 000468783 08204 $$a813/.5409$$222 000468783 1001_ $$aGrausam, Daniel,$$d1975- 000468783 24510 $$aOn endings$$h[electronic resource] :$$bAmerican postmodern fiction and the Cold War /$$cDaniel Grausam. 000468783 260__ $$aCharlottesville :$$bUniversity of Virginia Press,$$c2011. 000468783 300__ $$aviii, 196 p. 000468783 504__ $$aIncludes bibliographical references (p. [179]-189) and index. 000468783 5050_ $$aIntroduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons. 000468783 506__ $$aAccess limited to authorized users. 000468783 520__ $$aWhat does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War. 000468783 60010 $$aBarth, John,$$d1930-$$xCriticism and interpretation. 000468783 60010 $$aPynchon, Thomas$$xCriticism and interpretation. 000468783 60010 $$aPowers, Richard,$$d1957-$$xCriticism and interpretation. 000468783 650_0 $$aAmerican fiction$$xHistory and criticism$$xTheory, etc. 000468783 650_0 $$aPostmodernism (Literature)$$zUnited States. 000468783 650_0 $$aCold War$$xInfluence. 000468783 650_0 $$aCold War in literature. 000468783 655_7 $$aElectronic books.$$2lcsh 000468783 852__ $$bebk 000468783 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10554873$$zOnline Access 000468783 909CO $$ooai:library.usi.edu:468783$$pGLOBAL_SET 000468783 980__ $$aEBOOK 000468783 980__ $$aBIB 000468783 982__ $$aEbook 000468783 983__ $$aOnline