000470357 000__ 01630cam\a2200385Ma\4500 000470357 001__ 470357 000470357 005__ 20210513163730.0 000470357 006__ m\\\\\o\\d\\\\\\\\ 000470357 007__ cr\cnunnnunnun 000470357 008__ 110826s2012\\\\nju\\\\\ob\\\s001\0\eng\d 000470357 010__ $$z 2011035601 000470357 020__ $$z9780813552965 000470357 020__ $$z9780813552972 000470357 020__ $$a9780813552989 (electronic bk.) 000470357 035__ $$a(OCoLC)ocn797834555 000470357 040__ $$aE7B$$cE7B$$dOCLCO$$dAUW 000470357 049__ $$aISEA 000470357 05014 $$aTR853$$b.Y86 2012eb 000470357 08204 $$a777$$223 000470357 1001_ $$aYumibe, Joshua,$$d1974- 000470357 24510 $$aMoving color$$h[electronic resource] :$$bearly film, mass culture, modernism /$$cJoshua Yumibe. 000470357 260__ $$aNew Brunswick, N.J. :$$bRutgers University Press,$$c2012. 000470357 300__ $$a1 online resource (xvii, 192 p.) 000470357 4900_ $$aTechniques of the moving image 000470357 504__ $$aIncludes bibliographical references and index. 000470357 5050_ $$aForeword / by Paolo Cherchi Usai -- Introduction -- The colors of modernity -- Hand coloring and the intermediality of the cinema -- Transformation and uplift: stenciling, tinting, and toning -- Color cinema, from gentility to abstraction -- Conclusion. 000470357 506__ $$aAccess limited to authorized users. 000470357 650_0 $$aColor cinematography$$xHistory. 000470357 650_0 $$aColorization of motion pictures$$xHistory. 000470357 650_0 $$aSilent films$$xHistory and criticism. 000470357 650_0 $$aColors in motion pictures. 000470357 655_7 $$aElectronic books.$$2lcsh 000470357 85280 $$bebk$$hEbrary Academic Complete 000470357 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10563917$$zOnline Access 000470357 909CO $$ooai:library.usi.edu:470357$$pGLOBAL_SET 000470357 980__ $$aEBOOK 000470357 980__ $$aBIB 000470357 982__ $$aEbook 000470357 983__ $$aOnline