Introduction: screening an island nation in transition
Documenting tumultuous times: new culture organizations proffer alternatives
Establishing community media in the mountains: Televisión Serrana strengthens highland identity
Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace
Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking
Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema
Filming in the margins: Esteban Insausti explores life and art amidst chaos
Making space for new interventions: a montage from the national exhibit of new filmmakers
Epilogue: reflections on Cuba, filmmaking, and the times ahead.