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000477522 008__ 971112s1998\\\\nhu\\\\\ob\\\\001\0\eng\d
000477522 010__ $$z   97049996 
000477522 020__ $$z0819522562 (alk. paper)
000477522 020__ $$z0819522570 (pbk. : alk. paper)
000477522 020__ $$z9780819522566
000477522 020__ $$z9780819572240 (e-book)
000477522 035__ $$a(CaPaEBR)ebr10468483
000477522 035__ $$a(OCoLC)48138837
000477522 040__ $$aCaPaEBR$$cCaPaEBR
000477522 05014 $$aML3845$$b.S628 1998eb
000477522 08204 $$a781/.1$$221
000477522 1001_ $$aSmall, Christopher,$$d1927-2011.
000477522 24510 $$aMusicking$$h[electronic resource] :$$bthe meanings of performing and listening /$$cChristopher Small.
000477522 260__ $$aHanover :$$bUniversity Press of New England,$$cc1998.
000477522 300__ $$a230 p.
000477522 4901_ $$aMusic/culture
000477522 500__ $$a"Wesleyan University Press."
000477522 504__ $$aIncludes bibliographical references and index.
000477522 506__ $$aAccess limited to authorized users.
000477522 650_0 $$aMusic$$xPhilosophy and aesthetics.
000477522 650_0 $$aMusic$$xPerformance$$xPsychological aspects.
000477522 830_0 $$aMusic/culture.
000477522 852__ $$bebk
000477522 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10468483$$zOnline Access
000477522 909CO $$ooai:library.usi.edu:477522$$pGLOBAL_SET
000477522 980__ $$aEBOOK
000477522 980__ $$aBIB
000477522 982__ $$aEbook
000477522 983__ $$aOnline