000481101 000__ 03059cam\a2200553Ka\4500 000481101 001__ 481101 000481101 003__ MaCbMITP 000481101 005__ 20220714063817.0 000481101 006__ m\\\\\o\\d\\\\\\\\ 000481101 007__ cr\cn\nnnunnun 000481101 008__ 120417s2007\\\\maua\\\\ob\\\\001\0\eng\d 000481101 020__ $$a9780262304184$$q(electronic bk.) 000481101 020__ $$a026230418X$$q(electronic bk.) 000481101 020__ $$z0262134659 000481101 020__ $$z9780262134651 000481101 020__ $$z0262633698 000481101 020__ $$z9780262633697 000481101 035__ $$a(OCoLC)785943644$$z(OCoLC)745697102$$z(OCoLC)794490767$$z(OCoLC)847863445$$z(OCoLC)961585944$$z(OCoLC)962665557$$z(OCoLC)966216509$$z(OCoLC)974455943$$z(OCoLC)974506477$$z(OCoLC)981956291$$z(OCoLC)982019625$$z(OCoLC)988451683$$z(OCoLC)988530320$$z(OCoLC)992032129$$z(OCoLC)1005638108$$z(OCoLC)1018055563$$z(OCoLC)1037942438$$z(OCoLC)1038691859$$z(OCoLC)1041591689$$z(OCoLC)1045525543$$z(OCoLC)1047690696$$z(OCoLC)1058179692$$z(OCoLC)1083560408 000481101 035__ $$a(OCoLC-P)785943644 000481101 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 000481101 050_4 $$aTR858$$b.M348 2007eb 000481101 072_7 $$aART$$x057000$$2bisacsh 000481101 072_7 $$aPER$$x004040$$2bisacsh 000481101 08204 $$a791.4302/4$$222 000481101 1001_ $$aMcClean, Shilo T. 000481101 24510 $$aDigital storytelling :$$bthe narrative power of visual effects in film /$$cShilo T. McClean. 000481101 260__ $$aCambridge, Mass. :$$bMIT Press,$$cc2007. 000481101 300__ $$a1 online resource (xii, 303 pages) :$$billustrations 000481101 336__ $$atext$$btxt$$2rdacontent 000481101 337__ $$acomputer$$bc$$2rdamedia 000481101 338__ $$aonline resource$$bcr$$2rdacarrier 000481101 506__ $$aAccess limited to authorized users. 000481101 5201_ $$a"In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles - other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects." "Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects - whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres - and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft."--Jacket. 000481101 588__ $$aOCLC-licensed vendor bibliographic record. 000481101 650_0 $$aCinematography$$xSpecial effects. 000481101 650_0 $$aDigital video. 000481101 650_0 $$aDigital cinematography. 000481101 650_0 $$aMotion picture authorship. 000481101 650_0 $$aDigital storytelling. 000481101 653__ $$aARTS/Photography & Film/General 000481101 653__ $$aDIGITAL HUMANITIES & NEW MEDIA/General 000481101 653__ $$aSOCIAL SCIENCES/Media Studies 000481101 655_0 $$aElectronic books 000481101 852__ $$bebk$$hMIT Press 000481101 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/2432.001.0001$$zOnline Access through The MIT Press Direct 000481101 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 000481101 909CO $$ooai:library.usi.edu:481101$$pGLOBAL_SET 000481101 980__ $$aBIB 000481101 980__ $$aEBOOK 000481101 982__ $$aEbook 000481101 983__ $$aOnline