000481483 000__ 01355cam\a2200373Ia\4500 000481483 001__ 481483 000481483 005__ 20210513170212.0 000481483 006__ m\\\\\o\\d\\\\\\\\ 000481483 007__ cr\cn||||||||| 000481483 008__ 060726s2006\\\\nhu\\\\\ob\\\\001\0\eng\d 000481483 010__ $$z 2006024629 000481483 020__ $$z1584655828 000481483 020__ $$z1584655836 000481483 020__ $$z9781584655824 000481483 020__ $$z9781584655831 000481483 020__ $$z9781611683820 000481483 035__ $$a(CaPaEBR)ebr10569251 000481483 035__ $$a(OCoLC)794669939 000481483 040__ $$aCaPaEBR$$cCaPaEBR 000481483 05014 $$aPN1995$$b.B336 2006eb 000481483 08204 $$a791.4301$$222 000481483 1001_ $$aBeller, Jonathan. 000481483 24514 $$aThe cinematic mode of production$$h[electronic resource] :$$battention economy and the society of the spectacle /$$cJonathan Beller. 000481483 260__ $$aHanover, N.H. :$$bDartmouth College Press :$$bUniversity Press of New England,$$cc2006. 000481483 300__ $$a332 p. 000481483 4901_ $$aInterfaces, studies in visual culture 000481483 504__ $$aIncludes bibliographical references and index. 000481483 506__ $$aAccess limited to authorized users. 000481483 650_0 $$aMotion picture industry. 000481483 650_0 $$aMotion pictures$$xPhilosophy. 000481483 830_0 $$aInterfaces, studies in visual culture. 000481483 852__ $$bebk 000481483 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10569251$$zOnline Access 000481483 909CO $$ooai:library.usi.edu:481483$$pGLOBAL_SET 000481483 980__ $$aEBOOK 000481483 980__ $$aBIB 000481483 982__ $$aEbook 000481483 983__ $$aOnline