000481690 000__ 01508cam\a2200385Ia\4500 000481690 001__ 481690 000481690 005__ 20210513170237.0 000481690 006__ m\\\\\o\\d\\\\\\\\ 000481690 007__ cr\cn||||||||| 000481690 008__ 060420s2007\\\\nyu\\\\\ob\\\s001\0\eng\d 000481690 010__ $$z 2006013427 000481690 020__ $$z079147027X (hardcover : alk. paper) 000481690 020__ $$z9780791470275 (hardcover : alk. paper) 000481690 020__ $$z9780791480489 000481690 020__ $$z0791470288 (pbk. : alk. paper) 000481690 020__ $$z9780791470282 (pbk. : alk. paper) 000481690 035__ $$a(CaPaEBR)ebr10575912 000481690 035__ $$a(OCoLC)138084720 000481690 040__ $$aCaPaEBR$$cCaPaEBR 000481690 05014 $$aPN1993.5.U6$$bN39 2007eb 000481690 08204 $$a791.430973/09051$$222 000481690 1001_ $$aNatoli, Joseph P.,$$d1943- 000481690 24510 $$aThis is a picture and not the world$$h[electronic resource] :$$bmovies and a post-9/11 America /$$cJoseph Natoli. 000481690 260__ $$aAlbany :$$bState University of New York Press,$$cc2007. 000481690 300__ $$avii, 283 p. 000481690 4901_ $$aThe SUNY series in postmodern culture 000481690 504__ $$aIncludes bibliographical references and index. 000481690 506__ $$aAccess limited to authorized users. 000481690 650_0 $$aMotion pictures$$zUnited States. 000481690 650_0 $$aMotion pictures$$xSocial aspects$$zUnited States. 000481690 650_0 $$aMotion pictures$$xPolitical aspects$$zUnited States. 000481690 830_0 $$aSUNY series in postmodern culture. 000481690 852__ $$bebk 000481690 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10575912$$zOnline Access 000481690 909CO $$ooai:library.usi.edu:481690$$pGLOBAL_SET 000481690 980__ $$aEBOOK 000481690 980__ $$aBIB 000481690 982__ $$aEbook 000481690 983__ $$aOnline