000482797 000__ 01466cam\a2200373Ia\4500 000482797 001__ 482797 000482797 005__ 20210513170454.0 000482797 006__ m\\\\\o\\d\\\\\\\\ 000482797 007__ cr\cn||||||||| 000482797 008__ 020529s2003\\\\nyu\\\\\ob\\\s001\0\eng\d 000482797 010__ $$z 2002070717 000482797 020__ $$z0791455459 (alk. paper) 000482797 020__ $$z0791455467 (pbk. : alk. paper) 000482797 020__ $$z9780791455456 (alk. paper) 000482797 020__ $$z9780791455463 (pbk. : alk. paper) 000482797 020__ $$z9780791487716 000482797 035__ $$a(CaPaEBR)ebr10587284 000482797 035__ $$a(OCoLC)61367768 000482797 040__ $$aCaPaEBR$$cCaPaEBR 000482797 05014 $$aPN2171$$b.E37 2003eb 000482797 08204 $$a792/.094/09031$$221 000482797 1001_ $$aEgginton, William,$$d1969- 000482797 24510 $$aHow the world became a stage$$h[electronic resource] :$$bpresence, theatricality, and the question of modernity /$$cWilliam Egginton. 000482797 260__ $$aAlbany, NY :$$bState University of New York Press,$$cc2003. 000482797 300__ $$aviii, 208 p. 000482797 504__ $$aIncludes bibliographical references and index. 000482797 506__ $$aAccess limited to authorized users. 000482797 650_0 $$aTheater$$zEurope$$xHistory$$y16th century. 000482797 650_0 $$aTheater$$zEurope$$xHistory$$y17th century. 000482797 650_0 $$aTheater and society$$zEurope$$xHistory$$y16th century. 000482797 650_0 $$aTheater and society$$zEurope$$xHistory$$y17th century. 000482797 852__ $$bebk 000482797 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10587284$$zOnline Access 000482797 909CO $$ooai:library.usi.edu:482797$$pGLOBAL_SET 000482797 980__ $$aEBOOK 000482797 980__ $$aBIB 000482797 982__ $$aEbook 000482797 983__ $$aOnline