000484878 000__ 01213cam\a2200325Ia\4500 000484878 001__ 484878 000484878 005__ 20210513170835.0 000484878 006__ m\\\\\o\\d\\\\\\\\ 000484878 007__ cr\cn||||||||| 000484878 008__ 120702s2012\\\\caua\\\\ob\\\s001\0\eng\d 000484878 010__ $$z 2012025816 000484878 020__ $$z9780520273313 (cloth : alk. paper) 000484878 020__ $$z9780520273337 (pbk. : alk. paper) 000484878 020__ $$z9780520953963 000484878 035__ $$a(CaPaEBR)ebr10614246 000484878 035__ $$a(OCoLC)820846226 000484878 040__ $$aCaPaEBR$$cCaPaEBR 000484878 05014 $$aPN1998.3.G63$$bM58 2012eb 000484878 08204 $$a791.4302/33092$$223 000484878 1001_ $$aMorgan, Daniel,$$d1977- 000484878 24510 $$aLate Godard and the possibilities of cinema$$h[electronic resource] /$$cDaniel Morgan. 000484878 260__ $$aBerkeley :$$bUniversity of California Press,$$c2012. 000484878 300__ $$axvi, 309 p. :$$bill. 000484878 504__ $$aIncludes bibliographical references and index. 000484878 506__ $$aAccess limited to authorized users. 000484878 60010 $$aGodard, Jean-Luc,$$d1930-$$xCriticism and interpretation. 000484878 650_0 $$aMotion pictures$$xAesthetics. 000484878 852__ $$bebk 000484878 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10614246$$zOnline Access 000484878 909CO $$ooai:library.usi.edu:484878$$pGLOBAL_SET 000484878 980__ $$aEBOOK 000484878 980__ $$aBIB 000484878 982__ $$aEbook 000484878 983__ $$aOnline