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Introduction: inventing cinephiliac historiography
Sonic booms: 1929 and the sensational transition to sound
Show stoppers: 1937 and the chance encounter with chiffons
Signature crimes: 1946 and the strange case of the lost scene (as well as the stranger case of the missing auteur)
Apocalyptic antennae: 1954 and the end of storytelling
Conclusion: the cinephiliac return.

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