000488953 000__ 01139cam\a2200313Ia\4500 000488953 001__ 488953 000488953 005__ 20210513171755.0 000488953 006__ m\\\\\o\\d\\\\\\\\ 000488953 007__ cr\cn||||||||| 000488953 008__ 090312s2008\\\\enk\\\\\ob\\\\001\0\eng\d 000488953 010__ $$z 2009379501 000488953 020__ $$z9781847186645 (hbk.) 000488953 020__ $$z1847186645 (hbk.) 000488953 020__ $$z9781443804394 000488953 035__ $$a(CaPaEBR)ebr10676969 000488953 035__ $$a(OCoLC)318632961 000488953 040__ $$aCaPaEBR$$cCaPaEBR 000488953 05014 $$aPN1995.9.W6$$bS58 2008eb 000488953 24500 $$aSituating the feminist gaze and spectatorship in postwar cinema$$h[electronic resource] /$$cedited by Marcelline Block. 000488953 260__ $$aNewcastle upon Tyne :$$bCambridge Scholars,$$c2008. 000488953 300__ $$alxii, 319 p. 000488953 504__ $$aIncludes bibliographical references and index. 000488953 506__ $$aAccess limited to authorized users. 000488953 650_0 $$aFeminist film criticism. 000488953 650_0 $$aFeminism and motion pictures. 000488953 7001_ $$aBlock, Marcelline. 000488953 852__ $$bebk 000488953 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10676969$$zOnline Access 000488953 909CO $$ooai:library.usi.edu:488953$$pGLOBAL_SET 000488953 980__ $$aEBOOK 000488953 980__ $$aBIB 000488953 982__ $$aEbook 000488953 983__ $$aOnline