@article{558926,
      note = {With a final advertisement leaf.},
      author = {Smith, John,},
      url = {http://library.usi.edu/record/558926},
      title = {The art of painting in oil Wherein is included Each  particular Circumstance relating to that Art and Mystery:  Containing the best and most approved Rules for Preparing,  Mixing, and Working of Oil-Colours. The whole Treatise  being so full, complete, and so exactly fitted to the  meanest Capacity, that all Persons whatsoever, may be able,  by these Directions, to paint in Oil Colours, all Manner of  Timber-Work; such as Posts, Poles, Palisadoes, Gates,  Doors, or any Thing else that requires either Use, Beauty,  or Preservation from the Violence or Injury of the Weather.  In which are also particularly laid down all the several  Circumstances required in Painting of Sun-Dials,  Printed-Pictures, Sash-Windows, &c. in Oily-Colours.  The eighth edition, with some alterations, and many matters  added, which are not to be found in the former editions. To  which is added, The whole art and mystery of colouring  maps, and other Prints, with water colours. By John Smith,  C.M. [electronic resource] :},
      publisher = {printed for L. Hawes, W. Clarke, and R. Collins, No. 32,  in Pater-Noster-Row,},
      recid = {558926},
      pages = {[8],110,[2]p. ;},
      address = {London :},
      year = {1769},
}