Introduction, by J. H. Ferres.
Witchcraft and the Puritans, by G. L. Kittredge.
The meaning of McCarthyism, by E. Latham.
Miller's The crucible as event and play, by J. Gassner.
Hysteria and ideology in The crucible, by R. Hayes.
A problem playwright, by W. Kerr.
A "social play", by L. Moss.
Dramatic technique in The crucible, by E. Murray.
The Devil in Salem, by D. Welland.
No play is deeper than its witches, by H. Blau.
Setting, language, and the force of evil in The crucible, by P. Curtis.
Historical analogy and The crucible, by H. Popkin.
The crucible: a structural view, by P. G. Hill.
Jean-Paul Sartre's Les sorcières de Salem, by E. Mottram.
Action and theme in The crucible, by R. Hogan.
Arthur Miller and the idea of modern tragedy, by M. W. Steinberg.
Which witch is which? By J. W. Douglass.
Subjectivism and self-awareness, by S. Huftel.
The silence of Arthur Miller, by A. Ganz.
A private meeting of John and Abigail, by A. Miller.
Selected bibliography (p. 121-122)