000006293 000__ 00811cam\a2200289Wi\4500
000006293 001__ 6293
000006293 005__ 20210512010148.0
000006293 008__ 760626s1976\\\\enk\\\\\\b\\\\00110\eng\\
000006293 010__ $$a75-025465
000006293 015__ $$aGB***
000006293 020__ $$a0195019911 :$$c3.95 (U.S.)
000006293 035__ $$a(OCoLC)ocm02312777
000006293 035__ $$9AAA6477SI
000006293 035__ $$a6293
000006293 040__ $$aDLC$$cDLC$$dISE
000006293 049__ $$aISEA
000006293 0500_ $$aPN1995$$b.A5
000006293 082__ $$a791.43/01
000006293 099__ $$aPN1995 .A5
000006293 1001_ $$aAndrew, Dudley,$$d1945-
000006293 24514 $$aThe major film theories :$$ban introduction /$$cJ. Dudley Andrew.
000006293 260__ $$aLondon ;$$aNew York :$$bOxford University Press,$$c1976.
000006293 300__ $$ax, 278 p. ;$$c21 cm.
000006293 4900_ $$aA Galaxy book ; GB450
000006293 500__ $$aIncludes index.
000006293 504__ $$aBibliography: p. 261-272.
000006293 650_0 $$aMotion pictures$$xAesthetics.
000006293 85200 $$bgen$$hPN1995$$i.A5
000006293 909CO $$ooai:library.usi.edu:6293$$pGLOBAL_SET
000006293 980__ $$aBIB
000006293 980__ $$aBOOK