@article{631206,
      recid = {631206},
      author = {Smith, John,},
      title = {The art of painting in oyl. Wherein is included each  particular circumstance relating to that art and mystery.  Containing the best and most approved rules for preparing,  mixing, and working of oyl colours. The whole Treatise  being so full Compleat, and so exactly fitted to the  meanest Capacity, that all persons whatsoever, may be able  by these Directions, to paint in Oyl-Colours all manner of  Timber work; such as Posts, Pails, Pallisadoes, Gates,  Doors, or any thing else that requires either Use, Beauty,  or Preservation, from the violence or Injury of the  Weather. In which is also particularly laid down, all the  several Circumstances required in Painting of Sun-Dials,  Printed Pictures, Shash-Windows, &c. In Oily-Colours.  The third impression with some alterations, and many  Matters added, which are not to be found in the Two former  Editions. To which is added, The whole Art and Mystery of  Colouring Maps, and other Prints with Water Colours By John  Smith C. M. Licensed, Rob Midgely. [electronic resource] :},
      publisher = {printed for Samuel Crouch, at the Corner of  Popes-Head-Alley in Cornhill,},
      address = {London :},
      pages = {[8],110,[2]p. ;},
      year = {1701},
      note = {With a final advertisement leaf.},
      url = {http://library.usi.edu/record/631206},
}