000684877 000__ 05244cam\a2200433\i\4500
000684877 001__ 684877
000684877 005__ 20210515092223.0
000684877 006__ m\\\\\o\\d\\\\\\\\
000684877 007__ cr\un\nnnunnun
000684877 008__ 131002s2013\\\\enka\\\\obf\\\001\0\eng\d
000684877 020__ $$a9780191756634$$q(electronic book)
000684877 0247_ $$a10.1093/oxfordhb/9780199607747$$2doi
000684877 035__ $$a(StDuBDS)EDZ0000167188
000684877 040__ $$aStDuBDS$$cStDuBDS$$erda$$epn
000684877 050_4 $$aPR2984$$b.O94 2013eb
000684877 08204 $$a821.3$$223
000684877 24504 $$aThe Oxford handbook of Shakespeare's poetry /$$cedited by Jonathan Post.
000684877 24630 $$aShakespeare's poetry
000684877 24630 $$aHandbook of Shakespeare's poetry
000684877 264_1 $$aOxford :$$bOxford University Press,$$c2013.
000684877 300__ $$a1 online resource (xxv, 748 pages) :$$billustrations
000684877 336__ $$atext$$2rdacontent
000684877 337__ $$acomputer$$2rdamedia
000684877 338__ $$aonline resource$$2rdacarrier
000684877 4901_ $$aOxford handbooks of literature
000684877 504__ $$aIncludes bibliographical references and index.
000684877 50500 $$gPart I.$$tStyle and Language --$$g1.$$tShakespeare's Styles /$$rGordon Teskey --$$g2.$$tShakespeare's Style in the 1590s /$$rGoran Stanivukovic --$$g3.$$tShakespeare's Late Style /$$rA. R. Braunmuller --$$g4.$$tShakespeare and the Arts of Cognition /$$rSophie Read --$$g5.$$tFatal Cleopatras and Golden Apples: Economies of Wordplay in Some Shakespearean 'Numbers' /$$rMargaret Ferguson --$$gPart II.$$tInheritance and Invention --$$g6.$$tClassical Influences /$$rColin Burrow --$$g7.$$tShakespeare and Italian Poetry /$$rAnthony Mortimer --$$g8.$$tDu Bellay and Shakespeare's Sonnets /$$rAnne Lake Prescott --$$g9.$$tOpen Voicing: Wyatt and Shakespeare /$$rLinda Gregerson --$$g10.$$t'Grammar Rules' in the Sonnets: Sidney and Shakespeare /$$rAlysia Kolentsis --$$g11.$$tCommonplace Shakespeare: Value, Vulgarity, and the Poetics of Increase in Shake-Speares Sonnets and Troilus and Cressida /$$rCatherine Nicholson --$$g12.$$tPhilomela's Marks: Ekphrasis and Gender in Shakespeare's Poems and Plays /$$rMarion Wells --$$g13.$$tShakespeare, Elegy, and Epitaph: 1557-1640 /$$rJohn Kerrigan --$$gPart III.$$tSongs, Lyrics, and Ballads --$$g14.$$tSong in Shakespeare: Rhetoric, Identity, Agency /$$rGavin Alexander --$$g15.$$tShakespeare's Popular Songs and the Great Temptations of Lesser Lyric /$$rSteve Newman --$$gPart IV.$$tSpeaking on Stage --$$g16.$$tShakespeare's Dramatic Verse Line /$$rAbigail Rokison --$$g17.$$tShakespeare's Word Music /$$rPaul Edmondson --$$g18.$$tFinding Your Footing in Shakespeare's Verse /$$rBruce R. Smith --$$g19.$$tFrom Bad to Verse: Poetry and Spectacle on the Modern Shakespearean Stage /$$rJeremy Lopez --$$g20.$$t'Make My Image but an Alehouse Sign: The Poetry of Women in Shakespeare's Dramatic Verse /$$rAlison Findlay --$$gPart V.$$tReading Shakespeare's Poems --$$g21.$$t'To Show… And So to Publish': Reading, Writing, and Performing in the Narrative Poems /$$rCharlotte Scott --$$g22.$$tOutgrowing Adonis, Outgrowing Ovid: The Disorienting Narrative of Venus and Adonis /$$rSubha Mukherji --$$g23.$$tShame, Love, Fear, and Pride in The Rape of Lucrece /$$rJoshua Scodel --$$g24.$$tThe Sonnets in the Classroom: Student, Teacher, Editor-Annotator(s), and Cruxes /$$rDavid Sofield --$$g25.$$t'Fortify Yourself in Your Decay': Sounding Rhyme and Rhyming Effects in Shakespeare's Sonnets /$$rL. E. Semler --$$g26.$$tThe Conceptual Investigations of Shakespeare's Sonnets /$$rDavid Schalkwyk --$$g27.$$t'Pretty Rooms': Shakespeare's Sonnets, Elizabethan Architecture, and Early Modern Visual Design /$$rRuss McDonald --$$g28.$$tThe Poetics of Feminine Subjectivity in Shakespeare's Sonnets and 'A Lover's Complaint' /$$rMelissa E. Sanchez --$$g29.$$tPoetry and Compassion in Shakespeare's A Lover's Complaint' /$$rKatharine A. Craik --$$g30.$$tReading 'The Phoenix and Turtle' /$$rJohn Kerrigan --$$gPart VI.$$tLater Reflections --$$g31.$$tShakespearean Poetry and the Romantics /$$rMichael O'Neill --$$g32.$$tShakespearean Being: The Victorian Bard /$$rHerbert F. Tucker --$$g33.$$tShakespeare's Loose Ends and the Contemporary Poet /$$rPeter Robinson --$$g34.$$tThe Sound of Shakespeare Thinking /$$rJames Longenbach --$$g35.$$tMelted in American Air /$$rJudith Hall --$$gPart VII.$$tTranslating Shakespeare --$$g36.$$tYves Bonnefoy and Shakespeare as a French Poet /$$rEfraín Kristal --$$g37.$$tGlocal Shakespeare: Shakespeare's Poems in Germany /$$rChrista Jansohn --$$g38.$$tNegotiating the Universal: Translations of Shakespeare's Poetry In (Between) Spain and Spanish America /$$rBelén Bistué.
000684877 506__ $$aAccess limited to authorized users.
000684877 588__ $$aDescription based on print version record.
000684877 60010 $$aShakespeare, William,$$d1564-1616$$xPoetic works.
000684877 60010 $$aShakespeare, William,$$d1564-1616$$xCriticism and interpretation.
000684877 650_0 $$aEnglish poetry$$yEarly modern, 1500-1700$$xHistory and criticism.
000684877 650_0 $$aNarrative poetry, English$$xHistory and criticism.
000684877 7001_ $$aPost, Jonathan F. S.,$$d1947-$$eeditor of compilation.
000684877 77608 $$iPrint version:$$tOxford handbook of Shakespeare's poetry.$$dOxford : Oxford University Press, 2013$$z9780199607747$$w(OCoLC)855354406
000684877 830_0 $$aOxford handbooks.
000684877 85280 $$bebk$$hOxford Handbooks Online
000684877 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199607747.001.0001$$zOnline Access
000684877 909CO $$ooai:library.usi.edu:684877$$pGLOBAL_SET
000684877 980__ $$aEBOOK
000684877 980__ $$aBIB
000684877 982__ $$aEbook
000684877 983__ $$aOnline